Ronan Vibert, Vibertology, Amongst barbarians, Kathy Burke, Secret Rapture
n. Amongst Barbarians 1989
Manchester Royal Exchange World Premiere: 9 - 25 February 1989 
Cast includes: Dominic Keating Bryan, Ronan Vibert Ralph, Tariq Unus, Zubi Dar, Anji Dar Gaolers, Sskuntala Ramanee Lawyer, Christopher Hancock George, Avril Elgar Wendy, Kathy Burke Lilly, Rosalind March Toni , Ricardo Sibelo Barman
Dir: James Maxwell Fights: Nicholas Hall
Availability: Nick Hern books, 1989,  first printing (printed before premiere: text may have changed slightly in performance)

Mobil-award-winning play by Michael Wall, set in a Malay prison where two young men; rough, 20-year-old, thick Londoner Bryan, and laconic, international Ralph (Vibert), await the death penalty following a Guilty verdict of drug trafficking.

The play essentially has two fields of action; the frustrations, fears, and acceptances of the prisoners' fate; and the examination of the closed attitudes of Bryan's ultra-working-class family and Ralph's Marbella-trash, mob-lite, glitterati, Mrs Robinson-esque mother.
  By contrasting the narrow, prejudicial and uncomprehending  'civilised' British with the educated, amiable, polite 'Barbarians' (the only other characters are an integrated Sikh guard and female Tamil lawyer), Wall highlights the shortcomings of our supposed 'refined' society, and questions who the real barbarians of the situation are.

The Mobil  Playwriting Award is one of the most esteemed theatrical merits, and Wall's play shares many similar themes with Traffik, which Ronan appeared in the following year (as a less worldly, though still highly sympathetic drug dealer).

Ralph appears calm -- even numb -- in the face of death, playing chess and smoking a joint with the amiable 'big hairy sadistic bastard' Sikh gaoler. He has a habit of laughing strangely, often mirthlessly, and it is easy to hear Vibert delivering Ralph's lines as you read the play.
    Ralph's laconic humour and resigned attitude begin to crack on parting with his estranged mother, and break down totally in a moment of spasmodic, uncontrollable fear, when confronted with his final moments.

"...an impressively mature work, worthy winner of the second Mobil Playwriting
Competition...James Maxwell's scorchingly well acted production
A gripping evening"-- Ë Jeremy Kingston The Times (UK)

"Manchester's Royal Exchange has come up with a winner...Any production
with Avril Elgar contains a nugget of gold." -- Martin Hoyle Financial Times 

"See this play if youire handy to Manchester, though it is sure to go further" 
-- Kenneth Hurren The Mail on Sunday 
 

  • The first appearance alongside the GODLIKE KATHY BURKE, who he later worked with in 1998 on Gimme Gimme Gimme
Quotes
On being instructed by his Sikh gaoler to embrace his mother for the last time:
"He's a big family man, you know. The Sikhs like are like that. They don't understand us, our -- understatement and all that shit (laughs). Something rather universal, kind of eternal in the scene don't you think? Mothers and their sons -- you can't beat it"
Last Requests:
"I'd like to see Paris before I die (laughs). No one gets it. It's a line from a WC Fields movie. WC Fields -- great movie star. No one knows! I'm dying amongst fools"

n. Note the credit for Fight choreography 

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n. The Secret Rapture   (David Hare) 1990
Manchester Library Theatre Production: Premiere 9th February 1990
Cast includes: Diana Kent Katherine, Amanda Parfitt Isobel, Amanda Boxer Marion, Ronan Vibert Irwin.
Dir: Christopher Honer Writer: David Hare
Availability: published by Faber and Faber
The Diana Kent Webiste 
From the above web-site: 
"David Hare's meditation on grief, families and eighties materialism. Diana played Katherine, a self-destructive alcoholic and found the role challenging and
rewarding".
Although David Hare's 1988 play is now regarded as a seminal play on Thatcherism and family, consistently garnering incredible reviews, much is lost when reading (rather than watching) it, as the main thrust of the play lies in the tension and disintegration of the characters. Katherine, an uncontrollable cuckoo in the nest, acts as a disastrous catalyst to the lives of those around her, in particular Isobel, her martyr-prone 'nice' stepdaughter, and Isobel's long-term boyfriend Irwin.
  • Second play with Diana Kent. Ronan previously (? date unknown) performed with her  in Making Noise Silently.
  • The Secret Rapture later made into a so-so film with Neil Pearson as Irwin, with Juliet Stevenson and Joanne Whalley-Kilmer.


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NextTraffik
Theatre Resume
VIBERTOGRAPHY

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