GOVAN PARISH CHURCH

GOVAN PARISH CHURCH

A Research Project by Rosemary McHarg

 

 

 

 

Views of Govan Parish Church

 

 

 


 

Govan Old Parish Church St. Constantine's

 

INTRODUCTION 

 

Govan has a remarkable heritage of early Christianity carved stones. No fewer than thirty-one monuments survive, most intact and decorated. They span to the 9th to the 11th Centuries, and they represent one the largest and most interesting collections of early medieval sculpture in Scotland. They range from a Sarcophagus and recumbent cross –slabs to free-standing crosses and cross-slabs, together with a remarkable group of five hogback monuments. They imply the existence not only of an early church at Govan, the enclosure of which is likely to be reflected in part by the line of the current graveyard wall but also of a wealthy secular community nearby. Much of this Sculpture lies within a local Strathclyde tradition, but there are also strong links with Pictland to the north and Cumbria to the south. The church was dedicated to St Constantine, and it is likely to have been founded with royal patronage at least by the late 9th century and possibly earlier. The existing church was built in the late 19th. Century, but excavation has revealed traces of a medieval church overlying even earlier burials.

 

By tradition an early medieval monastery at Govan was founded by St. Constantine of Cornwall, King and Martyr. Recent historians prefer a later Constantine, Irish or Scottish, and highlight the secular patronage of the place.

Excavations in 1994 and 1996 by archaeologists from Glasgow University and Channel 4's "Time Team" have uncovered:

 

·        the ditch surrounding the graveyard

·        craft workshops within the enclosure

·        an early medieval road linking the church and the burial ground with the Doomster Hill which stood on the site of the Govan Saturday Market

·        a massive foundation of an early wooden chapel at the very centre of the enclosure

·        Christian burials dating back to the 6th. Or possibly the 5th. Century.

 

The building is the fourth parish church set in the ancient graveyard, which some believe was used for pre-Christian worship. Robert Rowand Anderson, known for his design of Central Station Hotel, Pollokshaws Burgh Hall and the Pearce Institute, modelled the church on 13th. Century lines. It is regarded as one of the finest late 19th. Century churches in Glasgow. The window openings were designed to allow the stained glass to be seen to best advantage. Dr. John Macleod used five of the great English studios.

 

The collection of early medieval sculpture was carved during the 9th. 10th. and 11th. centuries. Each of the monuments is carved from locally quarried sandstone. Possibly the first expression of a truly national style, the Govan carvers took their ideas from Pictish, Irish, Anglican, Cumbrian and Scandanavian art. Dates, initials, the name William Bogle, and the place-name Bellahouston carved later tell us they were recycled during the 17th. and 18th. centuries.

 

There can be little doubt that Govan functioned as a minster church with widespread responsibilities during the early Middle Ages. After David I's re-organisation and strengthening of the diocesan system in Scotland, and the building of a new cathedral church for Glasgow in the 12th. Century, Govan's importance declined.

 

Among men of faith and vision who have led the Christian community in Govan Parish were the University Principal and reformer Andrew Melville, the covenanter Hugh Binning, the moderate Matthew Leishman, the liturgical and theological pioneer John Macleod, and the founder of the Iona Community George Macleod (Lord Macleod of Fuinary)

The church co-operates with the Local Authority and many local voluntary organisations to improve revitalise and renew Govan.

(Reproduced from Friends of Govan Old 2001 information leaflet

Special thanks to Netta Carruthers for her interesting and informative guided tour)

Friends of Govan Old Website : -http://www.govanold.org.uk

 

 

 

 

Internal Plan of Govan Parish Church

 

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Location of the Carved Stones and Stained Glass Windows

 

 

 

 

 

 

 

 

 

   


 


THE SARCOPHAGUS


The most remarkable piece of sculpture from Govan is an ornamental coffin carved from a single block of sandstone and decorated with knotwork panels and hunting motifs. James Cruickshank Roger first discovered the Govan sarcophagus in December of 1855. When found, the sarcophagus was empty, had no lid and was damaged around the rim and the upper walls. The elaborately decorated surface of the sarcophagus suggests that it was probably intended to serve as a reliquary in which to display the relics of St. Constantine rather than as a tomb itself.

 

 

 



The sarcophagus is decorated with animal interlace, plaited ribbon patterns and coarse median-incised interlace work. There are also depictions of deer hunting, two beasts and a serpent, and opposed beasts. In the middle ages hunting would naturally be associated with the nobility and may reflect their interests rather than any specific hunting association with Saint Constantine. The sarcophagus is unique in Scottish early Medieval sculpture and should perhaps be compared with the St. Andrews shrine.

 

 

The fine collection of sculptured stones now housed in the Govan Old Parish Church is a vital clue to it's historical significance and to some extent compensates for the lack of documentary evidence. For sheer numbers the carvings found at Govan can be compared to other important religious centres such as Iona or St. Andrews but they are more instructively compared with the Pictish cemeteries of Meigle and St. Vigeans, which have large collections and little documentary evidence.


The sculptured stones of Govan date from the 9th - 11th centuries and so pre-date Glasgow Cathedral. The collection consists of 31 sculpted stones: 5 'hogback' grave markers, 4 'high' crosses, 21 recumbent slabs and a monolithic sarcophagus decorated with crosses and interlace patterns.

 

 

 

 

Govan Sarcophagus Case Study

The Govan Sarcophagus is an extraordinary, unique monument dated to around the 10th century. It is currently on display in Govan Old Parish Church, Glasgow.

We scanned this stone as a demonstration of our services to Govan Old Parish Church. The sarcophagus is currently situated in the choir of the church seated on a specially designed table. The stone is 2.1 metres long, 0.34 metres high and 0.79 metres wide and is a complex shape to scan.

 

 

 


The Hogback Stones



This hogback grave marker datable to the late 800s represents the earliest known stone sculpture of Govan. Hogbacks are characteristic of areas of Britain where there has been Viking settlement but are not found anywhere in Scandinavia itself. The Govan hogbacks have affinities with ones from Cumbria, but are significantly larger. The largest is 7' 9" long (2.4m).

The hogbacks are decorated with ring-knots containing pellets as fillers, which indicates a date of around the middle of the 900s AD, for most of them. Such design is typical of the Scandinavian settlement areas of the Irish Sea province. Another fascinating feature of the Govan hogbacks is the use of a crouching beast at either end of the stone, apparently clinging on to it. The carving styles provide some of the clearest evidence for the presence of a Scandinavian influence on the Clyde.

The Cross Slabs



There are 4 crosses, the earliest and most complete of which is the most intriguing. The 'sun-stone',  is an early example of such a cross slab which employs a wide range of early Medieval Celtic ornament. On the side seen here, is a large boss, emitting snakes and below is a square panel with a fret pattern. These forms of ornamentation are closely linked to other early Christian masterpieces, the Iona crosses and the Book of Kells.


The opposite side of this stone, has a cross flanked by interlace snakes above a mounted warrior. This mounted figure invites comparison with the sarcophagus and with Pictish sculpture in eastern Scotland.

 

 

 

 

The Sun Stone

 

The Sun Stone is easily recognised from the great boss with its swirling rays. It is a cross slab, with a cross-filled pattern on the other side and just a hint of a final projection at the top. Flanking the shaft of this cross, are twisted serpents whose heads, much worn, but can just be made out below the arms of the cross.

 

Below is a sunken panel with a warrior armed with a sword and a spear riding a caricature of a horse  (or some would argue a bear). On the other side, the sun’s boss is in fact a very clumsy version of a motif familiar from some of the finest early Christian sculpture in Scotland, known as the snake-and the- boss.

 


The Grave Slabs



The largest group of sculptured stones, the recumbent grave stones, is also the latest. They date to the eleventh century. Each stone is a rectangular slab large enough to cover a grave, decorated with individually designed interlace crosses. Their high level of decoration has led to suggestions that they could represent memorials to members of the Strathclyde Royal house.

 

 

 

 

 

 

 

Govan 12 Hogback Case Study

The Govan 12 Hogback is a massive example of the recumbent grave monument generally in use in the 9th and 10th centuries in Scotland and England. In the past these monuments have been classified as Norse in origin, although no examples in Scandinavia exist.

The Govan 12 hogback is currently on display in Govan Old Parish Church, Glasgow in the transept.

We scanned this stone as a demonstration of our services to Govan Old Parish Church. The stone is 2.2 metres long, 0.62 metres high and 0.83 metres wide and is a bulky object to scan containing just under 6 cubic metres of rock.

 

 

 

 

 

 

Image of a rider on horseback - this must once has been a very handsome cross. A replica made around 1930- stands the entrance into the churchyard.

 

 

 

 

 

The cross slab no 5 is also known as the Cuddy Stane, because the animal carved on it is in local tradition thought to be a donkey, or Cuddy in Scots. The top half of its rider was lost when the slab was broken, and on the other side the carved cross lacks its head. The stone was illustrated in the mid 19th Century when it was still complete and almost 2 metres high.

 

Govan Parish Church: Stone 5

"The Cuddy Stone"

 

 Govan Old Book By Anna Ritchie.

 

 

 

 

 

There is also a panel showing a standing profile seated on a stool and facing a standing figure who is holding aloft a rectangular object, such an image of biblical kingship is highly appropriate to royal associations suggested for Govan,

 

 

The sarcophagus was brought into the shelter of the modern church in 1908. Where it was proudly displayed in the chancel on a stone table, designed specially for it by Sir Rowand Anderson, where it remains to this day.

 

 

Govan Parish

Church : Stained Glass Windows

 

Robert Rowand Anderson built the present church on the original ecclesiastical site at Govan in 1884-1848 and it contains important examples of stained glass windows created by C.E. Kempe and other Victorian artists. The windows depict Cain and Able and also Jacob and Moses. The Friends of the Old Govan Baptist Church restored the windows, which had been vandalised over the years. They raised all the funds themselves and restored the windows to their original splendour.

 

 

 

 

 

 

GLASGOW, 866 AND 868 GOVAN ROAD, GOVAN PARISH CHURCH : Alternative(s): GOVAN OLD PARISH CHURCH

Type of Site: Religion: Church; Burial-Ground; Sculptured Stones; Trial Excavations
NMRS Number: NS56NE 17

 


Location

Map reference: NS 553 659
Parish: Govan (City Of Glasgow)
Council: Glasgow, City Of

 


Archaeology Notes

NS56NE 17 5534 6590

Govan Old Parish Church (C of S) [NAT]

OS 1:1250 map, 1971.

The church of Govan was a prebend of Glasgow. It was dedicated to St Constantine who was buried at Govan. On 13th July 1577, the teinds of Govan were granted to the University of Glasgow, and the Principal of the University ex officio was appointed minister of the parish. The settlement was set aside on 20th December 1621, and only the patronage of Govan was left to the University. There was a chapel in the parish at Partick. Govan church was rebuilt in 1762 and again in 1826. A later rebuilding was begun in 1884 and was opened 19th May 1888.

H Scott 1915-61.

(NS 5534 6590). Govan Old Parish Church was built in 1884-8, on the site of earlier churches. Within it and its roughly circular graveyard is one of the finest collections of Early Christian stones in Britain, dating from the 10th and 11th centuries. There are 24 stones within the church and there were 17 more along the E wall of the graveyard. Some of these were damaged in 1973 when the neighbouring factory was demolished and have been removed to Glasgow Art Gallery and Museum. Inside the church there is now one sarcophagus, five hog-back gravestones, two cross shafts and many recumbent grave slabs.

 

A date in the 10th or early 11th century has been suggested for the sarcophagus, which was found in 1855 when digging a grave at the SE corner of the churchyard. Three such sarcophagi were present at Govan church in the 18th century and one doubtless contained the relics of the particular St Constantine to whom the church is dedicated. The five hog-back tombstones are of an Anglian type, and 10th or perhaps 11th century dates are suggested for them. Both of the cross shafts have lost their heads; a date of about AD 900 has been suggested for them. There are two upright cross slabs, datable to the 10th century, and the rest of the stones comprise 29 flat grave covers, usually with a cross carved on them and flanked by interlace ornament; they should all date between AD 900 and the early 12th century. Many of the stones have been re-used in recent times and bear added names.

E W MacKie 1975; J R Allen and J Anderson 1903; T B S Thomson nd.; J T Laing 1975.

Govan (Glasgow, Rutherglen). Granted to the episcopal mensa of Glasgow by David I before 1152, the church was shortly afterwards erected into a prebend of Glasgow cathedral by Herbert, bishop of Glasgow (1147-64), the patronage thereafter resting with the bishop. Both parsonage and vicarage teinds were annexed to the prebend, the cure being a vicarage pensionary.

I B Cowan 1967.

The number of early sculptured stones found indicates the former presence of a Celtic monastic community at this site.

 

Govan Parish Church : Stone 14

C A R Radford 1970.

Govan parish church is set well back in a churchyard of great antiquity (as the collection of monuments in the church clearly shows). The present church of 1883-8, by Robert Rowand Anderson, is the last in a long series of churches on this site. The exterior of grey snecked rubble with green slate roofs seems dull without the intended lavish tower and spire (for which, see the foundations on the W side) and the unexpected band of relief sculpture across the facade, although the plans were ambitious and the interior is splendid. The minister who promoted rebuilding, John Macleod, was a pioneer of Scoto-Catholicism and a believer in the beauty of worship as inspiration for the working classes. The style is Early English in the Scottish manner, with details (especially the chancel gable) based on Pluscarden Priory, near Elgin. Ashlar chancel, higher than the nave, extended in 1911-12, with octagonal stairtowers at the angles. The walls are striped in red brick and stone, a vibrant effect dimmed with age.

Govan Parish Church: Stone 15

 

The size of the interior, with broad high nave and narrow passage aisles, owes much to the preaching churches Macleod had visited in Italy. The aisle arcades are of broad moulded piers dying into the arches, but the clearstorey is more decorative, each bay with one tall window flanked by two nook-shafted lancets. Between the bays, wall-shafts carrying the arched braces of the roof, which cross the boarded cove before spanning the roof high above the nave. Only one (W) galleried transept, opening with two clustered piers. The rhythm of one large and two small arches is repeated with the openings to the deep chancel and the choir aisles, one with the choir gallery, the other (originally the baptistery) with the organ (by Brindley and Foster) over. The chancel ends in an elegant blind arcade and band of foliage. Each side, top-lit passages in the depth of the walls; they lie over those that lead to the stairs in the angles. Fine wrought-iron screens divide the chancel aisles, the W one continuous with the large square Steven chapel, ringed with lancets. The furnishings are simple and unobtrusive.

 

Govan Parish Church: Stone 17

Stained glass: Twelve windows are by C E Kempe, part of a unified but uncompleted scheme commissioned soon after the church was finished. Chancel: first completed and dedicated to John Macleod (died 1898): Christ enthroned (oculus) above scenes of the main events in His life. Choir and transept galleries: Angels of Faith and Hope. Transept lancets: figures of Faith flanked by Noah and Abraham, and Hope flanked by Moses and Jacob. Clearstorey (E): Witnesses of the Resurrection. (The W clearstorey windows were designed but not inserted). S window over the gallery (particularly beautiful): Our Lord the King of Angels, with the three archangels and thirteen angel musicians. E chancel aisle: windows by Shrigley and Hunt. In the Steven chapel, a good undated display by Clayton and Bell (The Power of Our Lord, and eight Old Testament prophets, with finely illustrated scenes from their lives), and the Supper at Emmaus by Heaton, Butler and Bayne. Above the font, a window by Kempe from St Margaret, Polmadie, dedicated to Dr Macleod, who also founded that church.

 

 

Monuments. The W transept and chancel contain one of the most remarkable assemblages of Early Christian sculpture in Scotland, most of which were moved inside the church from the graveyard in 1926. Five main types of sculpture are represented: a richly-ornamented sarcophagus; hogbacked tombstones; cross-shafts; upright crosses; and recumbent slabs.

The sarcophagus in the chancel, one of three that survived until 1762, is of 10th/11th cent AD date, and is a single block of sandstone hollowed out internally to receive the burial; the top part of each side is carefully shaped to allow the cover slab (perhaps a gabled block) to fit tightly. The sides and ends of the sarcophagus are decorated with panels of interlace and figural ornament. On one side, a panel including two pairs of beasts, the lower pair having tails and ears which interknot, and a panel with a pair whose necks are intertwined. The other side has a hunting scene in Pictish style.

 

Govan Parish Church: Hogback2/3

 

 

The five hogbacked stones are bowed and gabled blocks, with decoration representing the square shingles of a wooden roof. Several of the stones have roughly-carved animal heads with the forepaws continuing along the sides. Of Scandinavian inspiration, such slabs can be paralleled in the Anglian areas of Northern England, and are probably of mid- to late-10th-century AD date.

The better-preserved of the two cross-shafts, which formerly stood at Jordanhill (whither it had been moved from Govan after the demolition of the medieval church) bears elaborated panels of interlace ornament and a panel with a man on horseback. Another fragment bears on one side what has been described as ''a blundered representation'' of an interesting scene in the iconography of the early church, Saints Paul and Anthony breaking bread in the desert.

The better-preserved of the two upright crosses is of the 10th century AD and bears a cross filled with interlace above a panel depicting a horseman with a spear; on the reverse, there is a boss from which emerge four serpents above a panel of interlace. The other upright cross is now broken, but a fragment with a man on horseback remains.

Finally, there is a large group of recumbent cross-slabs or grave-markers, all bearing a central cross surrounded by interlace ornament.

E Williamson, A Riches and M Higgs 1990.

NS 5534 6590. A geophysical survey was carried out by GUARD prior to the excavation to identify the location of the earlier churches suggested by the presence in the church of several early carved stones. Hovever the results proved inconclusive due to the large number of monuments present in the churchyard and the 18th and 19th-century burial activity. They were not used as an aid in positioning of the trial trenches.

Seven trial trenches were opened. spaced around the churchyard and immediately outside the churchyard wall. The primary aim of the trenches on the boundary was to recover evidence of the vallum, in the form of a bank and ditch. Secondarily it was hoped that occupational activity areas would fall inside the boundary. The third aim was to locate an earlier church.

Govan Parish Church: Stone 25

 

 

Trenches A and B were situated offset on either side of the southern boundary of the churchyard. A ditch was excavated which reached a depth of 1.6m below the level of the natural sands and clays and which had two recuts. Slight evidence of an internal bank was found on both sides of the present boundary wall and fence. Very few artefacts were recovered from the ditch: medieval pottery was present in the upper fills of the final recut. A few roughly worked shale fragments were recovered from the primary fill. Trench B, inside the churchyard, produced evidence of successive periods of burning and a stone hearth. Fragments of worked shale, including a roughout for a finger ring, large chunks of charcoal, fragments of burnt bone, cinder and small amounts of iron slag, were recovered from the burnt layers. Although no definite structural evidence was found in the small area excavated, it seems likely that some sort of workshop existed in the area. Four graves had been cut into these layers. Only one was definitely post-medieval and the three other, highly decayed skeletons are probably medieval. Overall it appeared that disturbance from burials became more severe about 3.5m from the fence. Considerable evidence of a succession of fences and walls in the immediate area of the present wall and over the original bank was recovered. These hindered interpretation,

 

Govan Parish Church:Stone 28

 

Trench C was located close to the SE corner of the church and beneath the line of a path which has existed since at least the 18th century. Evidence for two stone structures, built one over the other was recovered. The earlier one was of more substantial construct and both were of drystone build. The later wall was insubstantial and little more than a drystone dyke. The earlier feature was much better built. Small boulders had been packed in a trench of indeterminate width. The top of the boulders had been tightly packed with small stones to create a firm, even surface, No mortar was used. It was oriented on the same line as the existing S wall of the church. The absence of mortar and the estimate that the ground surface at the time of construction was some 1m below the present ground level suggests an early date, perhaps 10th or 11th century. The deposits were slightly disturbed by three modern burials, one of which was of an infant. No artefacts were recovered to give a more certain date. A later robbed out construction trench may relate to the Medieval church demolished in 1762.

Trenches D, E and F were situated along the northern boundary of the churchyard. Trench D was located adjacent to the N wall inside the churchyard and within a Victorian burial lair. The Victorian burials had effectively destroyed any archaeology and only a small fragment of old ground surface remained undisturbed. Very good evidence for mid-19th-century burial furnishings were discovered. Trenches E and F were located N of the wall between the churchyard and the River Clyde on the site of the demolished Harland and Wolff shipyard, They were machine dug, because of modern ripping and demolition debris. No evidence of a ditch, or any Medieval activity in this area was eodent.

Trench G was located in the SE corner of the churchyard at the suspected location of an earlier gate. however deep deposits of 19th-century rubbish were encountered which prevented this trench from being excavated to earlier levels.

Govan Parish Church: Stone 35

 

Sponsor: City of Glasgow District Council

S T Driscoll and I S Cullen 1994; MS/725/70.

In 1997, three trenches were excavated within the burial-ground for the Channel 4 Television ''Time Team'' series:

Trench 1 (NS c. 5535 6588) revealed the foundation debris of successive post-medieval churches, the remains of one or more burials of comparatively recent date, pottery (some of it from the 14th century), and unmortared stone walls of uncertain context.

Trench 2 (NS 554 658) was comparatively large (14m long by 3m deep) and was dug outside the burial-ground (to the E) in an (abortive) attempt to find evidence beneath modern industrial debris for a ceremonial way between the church and the possible motte or moot hill of Doomster Hill (NS56NE 18).

Trench 3 (NS c. 5538 6582) aimed the investigate the ''pointed'' (SE) end of the burial-ground in a search for an entrance-way from the direction of Doomster Hill. Tip-lines and a layer of stone and gravel (possibly a path) were revealed as well as a ''substantial assemblage of pottery shards''.

T Taylor and M Aston 1997.

NS 554 658 In February 1996 a series of trial trenches were excavated to the E of the churchyard of Govan Old Parish Church. This was the second in a series of investigations at Govan, the first having been conducted in 1994. Most of the area examined is waste ground, used for parking and a weekly market; the remainder is occupied by temporary dwellings, which limited the choice of location for some of the trenches. Foundations for a plating shed and cranes were known to exist in the area, dating to the site''s most recent use as a shipyard. Prior to the construction of the shipyard at the turn of the century, the areas to be investigated fell within the grounds of the manse (immediately adjacent to the E boundary of the churchyard).

 

 

 

Govan Parish Church: Stone 4

 

The excavations were intended to evaluate the surviving archaeological deposits by targeting specific structures, which resulted in the location of the five trenches.

Trench 1 - Churchyard boundary. This was located immediately E of the present E boundary wall of the churchyard. The aim was to establish the eastern extent of the churchyard by locating the boundary ditch or vallum, which had been located and excavated just outside the S boundary in 1994.

A massive ditch was discovered running close to the modern churchyard wall which was of a scale similar to that interpreted as the vallum ditch in the 1994 trench. It was investigated in detail in two places, though the orientations and profiles did not correspond. This suggests that they relate to different configurations of the churchyard. Both ditch sections showed signs of frequent recuts. The deepest fill of the earliest ditch produced a perforated shale disc. Shale working debris was also found in the primary deposits of the 1994 ditch. These ditches are almost certainly of early medieval date.

Outside of the ditch traces of a drystone structure were discovered built over part of the infilled ditch. They probably represent the footings for a shed or slight building, perhaps of post-medieval date.

Trench 2 - The manse site. A series of machine-dug trenches were opened in the area occupied by the former manse, which was demolished in the later 19th century and may have been composed of elements dating to the Middle Ages. Extensive trenching revealed no traces of any structure, no indications of demolition having taken place, nor even traces of soil horizons above the natural gravel. It seems likely that the manse stood on a slight hillock which was levelled when the shipyard was built, removing all trace of the building.

Govan Parish Church: Stone 7

Trench 3 - Water Row West. This trench was opened to investigate the survival of archaeological deposits in the area of the street frontage extending into the backlands. No trace of any early activity survived the development of the site as a shipyard.

Trench 4 - Doomster Hill. A machine-excavated trench was opened in several stages in the vicinity of the site of the Doomster Hill, as represented on early maps. Documentary research established that not only a shipyard, but also a tenement block had subsequently occupied part of the site. As a consequence over 2m of made ground had to be removed before medieval levels were encountered. The only surviving medieval feature was a small portion of what appeared to have been a massive ditch, the fill of which produced late medieval pottery. This is believed to represent the quarry ditch for the Doomster Hill which stood open until the early 19th century.

Govan Parish Church : Stone 9

 

Trench 5 - Water Row East. This trench was dug along the E frontage to see whether pre-industrial remains had survived on the E side of Water Row. A substantial wall founded on sandstone blocks was revealed, which seems most likely to have been associated with the shipyard. No traces of earlier structures were noted here.

In June 1996 a third season of trial trenching was undertaken, on this occasion co-ordinated with the production of the ''Time Team'' television programme. The excavations sought to clarify various issues which had been raised by the two previous phases of investigation. Four areas were targeted for further work: the putative early church discovered at the SE corner of the extant church (Trench C); the SE corner of the churchyard (Trench G), where an early entrance was expected to exist; the W extent of the churchyard interior (Trench H) which had not previously been investigated; and the Doomster Hill site at Water Row.

Trench C. The 1994 trench was re-excavated and extended to the E (closer to the church) and to the N principally in order to re-examine the massive drystone foundations exposed in the original excavation. As expected a number of Early Modern (18th/19th century) graves were encountered. Only two grave plots were excavated; others were identified and avoided. Nevertheless, portions of seven Early Modern burials were examined and produced the expected range of coffin fittings. One of the burials contained two individuals, perhaps a mother and child interment.

Apart from the burials the main modern feature revealed was a massive robber trench running E-W, some 1.5m deep, probably representing the 19th-century demolition of the medieval church.

 

 

 

 

 

 

Govan Parish Church: Stone11

 

A high-medieval phase of burial was represented by a single grave, which contained a substantial portion of a 15th-century face-mask jug and was cut into the foundations of what are thought to be part of an early church.

The foundations of this church consisted of large boulders set into a trench, which perhaps supported a timber-built structure. These foundations, which appear to represent the SW corner of the structure, were massive, being cut over 0.5m into the natural sand. The W edge of the foundation trench was located in the 1996 trench, adding to the evidence for the S edge discovered in 1994; but the full width of the structure was not ascertained. The precise orientation of the building remains in some doubt, although there can be little question that it is aligned E-W.

The earliest features in this trench were two burials discovered under the foundations. Only portions of the burials, in dug graves with no coffins, were exposed, though they were clearly oriented E-W. The dating of these bones is awaited.

Trench G. This trench was located in the SE extremity of the churchyard where the curving walls come to a slight point. It was thought that this might indicate the location of an entrance which pre-dated the 19th-century reorganisation of the churchyard. The 1994 trench was reopened and the excavation extended by machine towards the E and the N.

The whole area was covered by a deep layer of topsoil (0.4m), into which a number of modern rubbish pits had been dug. At a depth of c 1m a hard, compacted, gravel surface was exposed which was c 2.5m wide and 0.3m thick. This surface rose to a crown with vestigial drainage channels present on both sides.

 

Govan Parish Church: Stone 34

A section through the road surface revealed that it was composed of layers of clay and gravel. Some of this material overlay deposits of charcoal, which may provide a date for one phase of repair to the road. Below the road surface were in situ remains of a masonry structure. This may represent part of a gatehouse or other entrance but too little was exposed to allow any firm interpretation. The gravel road appears to have been on the same alignment as Pearce Lane (formerly Manse Lane), which may have been the original approach to the church.

Trench H. This trench (3 x 2m in extent) was located along the interior of the W perimeter of the churchyard, an area not

previously investigated. The intention was to determine the nature and condition of any surviving archaeological deposits. The initial levels proved to be quite disturbed.

 

 

Govan parish Church: Stone 6

 

At a depth of approximately 1m the root damage became less noticeable and evidence for archaeological activity was apparent. This consisted of substantial deposits of charcoal and scorched earth, which indicate that intense fires had been repeatedly built in the area. This evidence was similar in character to the deposits excavated in Trench C in 1994, where the presence of fragments of worked shale led to the burning being interpreted as evidence for a workshop. In Trench H no shale fragments were found, thus the evidence here may simply represent a domestic hearth.

 

Doomster Hill, Water Row. Initially a trench 12 x 7m was excavated by machine under archaeological supervision, though this was subsequently reduced in area. The material removed from the top 2m included mixed layers of building rubble, concrete, ash, coal and gravel. This material, which derived from the shipyard and 19th-century tenements, overlay a level of soft brown soil, into which several pits had been dug. These pits relate to the industrial use of the area, perhaps in the period when it was a dyeworks.

The brown soil was recognised (from the February 1996 investigations) as ditch fill and produced quantities of post-medieval and medieval pottery. The edge of the ditch was clearly discerned. Unfortunately, despite the scale of the trench, the full width of the ditch was found to extend beyond the trench edges, the best estimate being 8-10m wide, and originally c 2-3m deep with a broad flat base.

It is thought that this ditch represents the quarry from which the Doomster Hill was constructed. Most of the material within the ditch fill appears to have been placed there in a single event, around the 16th century to judge from the pottery recovered from the fill. The uniformity of the infill and the richness of the soil utilised suggests that backfilling was undertaken to expand the gardens in the backlands of the dwellings on Govan Road and Water Row, though this is far from certain. What is clear is that the scale of the Doomster Hill has not been exaggerated by 18th and 19th-century representations and accounts.

Sponsor: City of Glasgow Planning Department.

S T Driscoll and B Will 1996

A survey of the early modern graveyard monuments of Govan Parish Church was carried out by C Cutmore in 1995.

NMRS MS/997/13.

Govan Parish Church : Stone 29

 

 

Articles on Govan Old Parish Church

 

 

·         Articles from the Annual Reports

First Annual Report -- St. Constantine's Day, 1991

·         Not Slothful in Business: Macleod, Kempe and the Glass of Govan Old Parish Church by Philip N. H. Collins and Adrian Barlow

Second Annual Report -- St. Constantine's Day, 1992

·         The Architecture of Govan Old Parish Church by Sam McKinstry, Ph. D.

·         Govan Old Parish Church Graveyard by Betty Willshire, M.A., F.S.A. Scot.

·         Elizabeth the Second by Susan Bradbury, F.M.G.P., F.R.S.A.

Third Annual Report -- St. Constantine's Day, 1993

·         Robert Malcolm Kerr by John C. Lusk, B.A., B.D.

·         Govan Old: Its Place in Nineteenth and Early Twentieth Century Church Design by David M. Walker, O.B.E., D.A., F.S.A., F.S.A. Scot., F.R.S.E., H.F.R.I.A.S., LL.D.

Fourth Annual Report -- September, 1994

·         Conservation of Early Mediaeval Sculpture by Revd. Tom A. Davison Kelly, M.A., B.D., F.S.A. Scot.

·         Conservation of Stained Glass in the North Transept by Susan Bradbury, F.M.G.P, F.R.S.A.

·         The Prebend of Govan: 1150-1560 by Revd. Tom A. Davison Kelly, M.A., B.D., F.S.A. Scot.

Fifth Annual Report -- September, 1995

Sixth Annual Report -- December, 1996

·         GOVAN: the name by Thomas Owen Clancy, B.A., Ph.D., F.S.A.Scot.

·         Conservation of the Great East Window by Susan Bradbury F.M.G.P, F.R.S.A.

Seventh Annual Report -- December, 1997

·         The Name Govan, the Kirk and the Doomster Hill by Alan Macquarrie, M.A., Ph.D.

·         The Govan Cross at Jordanhill and at Govan by Alan Macquarrie, M.A., Ph.D.

·         An Archaeological Study of the Memorial Stones in the Kirkyard of Govan Old Parish Church by Catherine Cutmore, M.A.

Eighth Annual Report -- December, 1998

·         Govan, the name, again by Thomas Owen Clancy, B.A., Ph.D., F.S.A. Scot.

·         John Macleod Centenary Lecture by Ian C. Bradley, M.A., B.D., D.Phil.

Ninth Annual Report -- December, 1998

·         Conservation of the Govan Sarcophagus by Historic Scotland

 

 


 

 

 

 

GLASGOW: COAT OF ARMS

 

 

Glasgow, like many cities, owes its existence to the river, which flows through it and the fact that in historical times it was a convenient crossing point of that river. In those days the Clyde was not a deep navigable river up to Glasgow but was the last place where a bridge could be built to allow a crossing without a boat. There was a salmon-fishing hamlet at Glasgow (which probably gets its name from the Celtic glas and cu meaning "dear green place") when St. Mungo established a monastery on the banks of the Molendinar Burn, a tributary of the Clyde, in the 6th century.

Somewhat surprisingly, the City of Glasgow did not have a coat of arms until the middle of the 19th century. In 1866, Lord Lyon King at Armsgave approval for one in, which incorporated a number of symbols and emblems which had been used on official seals - all of which were associated with St Mungo. St. Mungo(who was named originally Kentigern) is said to have preached the sermon containing the words "Lord, let Glasgow Flourish by the preaching of the word." It was at that time that the thrusting Victorian city truncated its motto into the more secular "Let Glasgow Flourish" which is still in use today!

Many people, including Glaswegians themselves, are only vaguely aware of the stories and legends associated with the coat of arms. So here is the background to:

There's the tree that never grew,
There's the bird that never flew,
There's the fish that never swam,
There's the bell that never rang.

The Tree That Never Grew

The tree in the coat of arms is a now sturdy oak tree, but it started out as a branch of a hazel tree. The legend says that St Mungo was in charge of a holy fire in St Serf's Monastery and fell asleep. Some boys who were envious of his favoured position with St Serf put out the fire. But St Mungo broke off some frozen branches from a hazel tree and, by praying over them, caused them to burst into flames.

The Bird That Never Flew

This commemorates a wild robin which was tamed by St Serf and which was accidentally killed. St Mungo was blamed for the death but he is said to have taken the dead bird, prayed over it and it was restored to life.

The Fish That Never Swam

 

The coat of arms always shows the fish with a ring held in its mouth. This is because a King of  Strathclyde had given his wife a ring as a present. But the Queen gave it to a knight who promptly lost it. Some versions of the story say that the King took the ring while the knight was asleep and threw it in the river. The King then demanded to see the ring - threatening death to the Queen if she could not do so. The knight confessed to St Mungo who sent a monk to catch a fish in the river Clyde. When this was brought back (presumably catching salmon in the Clyde in those days was a lot easier then!) St Mungo cut open the fish and found the ring. When the Bishop of Glasgow was designing his own seal around 1271, he used the illustration of a salmon with a fish in its mouth and this has come down to us in today's coat of arms.

The illustration on the left is of an ornate lamppost, incorporating all the symbols of the coat of arms. It is located near Glasgow Cathedral - founded nearly 1500 years ago by St Mungo.

The Bell That Never Rang

In 1450, John Stewart, the first Lord Provost of Glasgow, left an endowment so that a "St Mungo's Bell" could be made and tolled throughout the city so that the citizens would pray for his soul. The bell was still ringing out in 1578, as there is an entry in the City Treasurer's accounts two shillings (10p) "for one tong to St Mungowis Bell." The magistrates purchased a new bell in 1641 and that bell is on display in the People's Palace museum near Glasgow Green.

In 1631, another bell was made, this time for the Tron Church (the steeple is pictured on the right), on which was inscribed the words "Lord, let Glasgow Flourish by the preaching of the word." Whether Glasgow flourished with spiritual assistance or the hard work of its people (or both), there is no doubt that Glasgow, now the largest city in Scotland, (twice the size of the capital, Edinburgh) has certainly prospered.

 

 

 

 

 

THE CAT AND THE RAT

 

 

 

 

 

 

 

In the main Govan Road, opposite the Pearce Institute is the Cardell Hall. It is ever a source of wonder and puzzlement to the Govan people. What exactly does the sculptured cat holding the rat in its mouth represent? It is situated high up on the wall near Burleigh Street.

 

On the Burleigh Street side of the building if you look on the wall you will see a carving of a cat. (located on the left of the picture) It is said that ships bringing flax from Europe for Govan Weavers also brought with them plagues of rats. These rats made their way to Govan Cross where there was a common midden (communal refuse dump). There were so numerous and ferocious that even the local dogs avoided the area. One day a large cat appeared on the scene and it began picking off the rats until only the king rat was left. The battle that followed left both animals mortally wounded, but the spirit of the cat is immortalised on the wall.

 

The story also goes that a certain publican had an establishment with an open midden or refuse dumping point nearby and close to the present Cardell Hall. His cat was an exceptionally fine ratter and when his premises were finally demolished, he built the present Brechin Bar with the Cardell Hall occupying the upper storey. In memory of his cat he placed the effigy in position.

 

 

 

 A few yards from this point stands an original old Govan lamp post. Complete with the coat of Arms of Govan and Insignia of the burgh. The motto is “Nihil Sine Labore” – “Nothing Without Work”

 

 

NIHIL SINE LABORE

“NothingWithout Work”

 


 

 


Painting by Jim Collins

 

 

 

"Windows on Govan - Past, Present and Future" By Brian McQuade 2001