July 2001 - This is, so far as we are aware, the only interview granted by Louis D'Cadnov in several decades. He refused permission to take any photographs as he values his privacy in these, his latter years, but we can report that he looks nothing like his more than one hundred years might suggest, and is, to say the very least, as sprightly and quick-witted as many men less than half his age. 

Q.1 The pioneering musical works of Mutoc-Troason are now enjoying a belated renaissance due to the world-wide efforts of the self-styled 'Sons of Mutoc'. Were you involved or consulted re the tracks for digital re-mastering ? Have you heard the remixed 'Grand Oeuvres' Album ?

Louis. Involved ? - Consulted ? - Hah ! - I was instrumental in kick-starting the whole thing. You see, though people see Louis D'Cadnov as this abject figure of humility and self-sacrifice, in truth I am . . . how you say ? . . a sufferer of megalomania - though only for the art, you see. I have enough money to keep myself, my caravan and my dogs and that is all I need.

Hah - it is not for the money. It is for power and influence. I dreamed The Sons of Mutoc into it, you see ! - So the answer to your question is "Oui" and "Non" - I let The Sons think it was their idea.

Q.2 Does this development bring you comfort, or has your interest died ?

Louis. My interest is now researching the John The Baptist cults of Southern Iraq. I am currently working on a short play about the dreams of John whilst in the custody of King Herod and, in particular, his mystical obsession with Salome. My interest in the "Grand Oeuvres" album is purely to keep one step ahead.

Q.3 Do you still hold the copyright, or has it lapsed or been 'assigned' ?

Louis. The copyright will always be shared between the four original members of Mutoc-Troason, though Liam, Pino and Serge have no idea of how much money can be made from the breeding of Utopian Hunting Dogs. I am, in fact, keeping them financially, though they perceive it not. Pride, you see ?

Q.4 How would you like the proceeds of the album to be distributed ? - Your empathy with the poor, especially of the Languedoc, has always been noted.

Louis. Hah ! - The Poor ! - What did they ever do for us in the early days - clap a little, maybe, and shake their heads ? Yes, write that it will be given to the poor, though for the people of the Languedoc it is too late. Perhaps my play will upset the people responsible for their demise, eh ?

Q.5 Tell us about the old days in Mutoc-Troason. - What was it like ?

Louis. Ah, the old days . . the streets of St. Michel, the street girls, the fire-eaters, the hotel where I . . Forgive me, I am repeating myself. All I can say is if one could remember it, one was not there. Did you ever hear "Trout Mask Replica" ( a weak attempt by one of D'Cadnov's devotees to recreate the perceived sound of Mutoc-Troason ) on Benylyn, absinthe & burdock and opium laced with Tincture of Reality ? It was like that. Hey, ask the others.

Q.6 Were the other guys as weird as we're led to believe they were ?

Louis. Good lead in eh ? On scales of 10 they were all 10s - still are. Listen to the tapes from then when the album comes out. I think really, though, that Serge has surpassed himself with his cut and paste techniques, particularly on his new release - "It's There Lad, Gettin' Bonny". (Released 1982 - Ed's note)

Liam is into graphics now, I believe, smashing up space invader gadgets and Pino, well . . I think Pino's doing a vocal only version of "Aoxamaxoa" by D'Cadnov devotees 'The Warlocks'. Hmm, nice.

Q.7 How do those who came after you measure up ? - Who do you rate ?

Louis. For years I listened to nothing but that young upstart Reinhardt and his talking guitar. It's only been in the last few months I've been hearing a new sound - Atkins, Weedon, Holly. I think they're the future.

Favourite Saturday night album ? - It's gotta be Al Bowlly, yeah, something by Al Bowlly. Makes me feel like an American, no ? Maybe a young movie starlet I could ply with Benylyn and Tincture of Reality - Joan Crawford, eh ? - Can you arrange it ? - Hah-Hah.

Q.8 How do you advise today's young idealists ? - Sing, write or fight ?

Louis. There is nothing left to sing, write or fight about ! - Salvation, maybe ? - But no, not even that is available without the green money, eh ?

Q.9 Does cheese still figure in your everyday life ?

Louis. No.

Q.10 If you had it all to do over again, would you change anything ?

Louis. Ah, yes. Pourquoi ? - Then I would be young and able to play Holly songs in the Opera House in the city of my dreams ! - I would make Liam, Pino and Serge uglier and less attractive than me and I would get the . . . how do you say ? . . . 'Rhodys' ? to get me girls looking like Joan Crawford and I would ( whispers ) dose them with Benylyn and I would make sex with them.

Q.11 It is said that you were exiled from France, just like Napoleon. Are there any similarities for you in this ? Do all French Governments dislike heroes of the people ? If that is the case, what was your crime ? Did they give you a reason ?

Louis. Ah, the crime ! - The crime was being in the wrong place at the wrong time. That is what is in my mind, anyway. Liam, Pino, Serge . . they may think another way, I don't know. They blame me, of course, but other times they don't. I have no regrets for the music. I developed their innate skills. They could have left - ( At one time Liam & Pino almost went solo intent on reaching a more mainstream audience, but their album "Liam & Pino Live at Montmartre" was greeted with derision by such luminaries as Jean Cocteau and Pablo Picasso - later both of them would admit to having been strongly influenced by this album ! ) - but they stayed and look at them now - rich men, richer still when the album comes out.

The State gave me no reason. Favourite Saturday night record ? - Ah, it would have to be "Making Sex, Tincture of Reality and a Touch of Correction de Problèmes" by Jan Derrie and The Guillotine Blocks - they were influenced by me, you know ?

Q.12 Is it true that they continue to refuse you a pension to this day ? - Why ?

Louis. Yes, I get no pension due to the secret belief that they hold that I am rich beyond belief.

Q.13 What did you do & see, where did you go during the 20th Century ?

Louis. I left my homeland in the '30s and, since much of what I tell you is lies - ( Pino and he share that capacity for non-truth ) - I will tell you this. Due to my remarkable physical assets I was enlisted into the French Underground Movement. Every Friday for seven years I would box a German SS Officer. In seven years I never lost and, when the war had ended, I was given the opportunity to train in New York with the best that America had to offer. In the late '40s I found myself training a boxer by the name of B. Bop Willis. One night, drunk on absinthe & burdock, he stumbled into a nightclub and picked a fight with some white cats. The band on the stage had heard some out-takes from the Mutoc sessions for "Ou Est Le Papier?" so you can imagine the sounds that were going down ? Willis shouted at the white guys, 'Hey ! B. Bop is here ! - You wanna fight ?' - The guys on the stage heard this and 'Be-Bop' was born.

Later I mat this writer, name of Jack. He said he could introduce me to Joan Crawford but boy, he was a liar. I ended up in Morocco with a pal of his, a homosexual by the name of Burroughs. Any way, after he'd shot his wife I couldn't stand the way the situation had become and that's when I became interested in John The Baptist, and now he won't leave me alone . . tells me the story's got to be told.

Hey, what about the 21st Century ? - I'm over a hundred and I'm not dead yet ! - Is Betty Davis still alive ?- Fetch her !

Q.14 How did you come to settle into your present abode in a caravan on the Wilhelm Estate ? - Does it remind you of your youth on the Camargue ?

Louis. No, nothing like the Camargue. I get Tincture of Reality delivered to my caravan by kids on bikes here. How'd I get here ? Ask me when I'm gone, hah hah.

Q.15 Tell us about caravan life, your philosophy & the Utopian Hunting Dogs.

Louis. No !

( At this point D'Cadnov got up to leave - only an offer of a splash of absinthe & burdock persuaded him to finish the interview. )

Q.16 Do you commune with visitors from other worlds ? - What do they say ?

Louis. Other Worlds ? What, you mean you've heard that one ? Did you ever hear the one about the talking dog ? Now, that's something else - Hey, the punch-line is "I got sick of his lies." - Work that one out . . .

Q.17 What's the going rate for mirrorballs at the Kings Lynn car boot sales these days ? - Do you make much of a living out of them ?

Louis. Ah, mirrorballs, if only life was like a mirrorball and human beings were like the splashes of light that they produce . . there's a different reality in there, you know . . in the mirror, I mean. What's right is left and what's left is right. My son, Judas, is working on a mirrorball to make Good seem Evil and Evil seem Good. I keep telling him the world is gonna be no different but he won't believe it . . youth, eh ? Idealists, the lot of them. It'll kill them in the end !

Q.18 Are your children into music, writing or other creative pursuits ?

Louis. No, only Judas. The others hate me, wish they'd never been born. I do that to people though, bring out the best and the worst. Mutoc-Troason was like that.

Q.19 Does your son Judas appreciate his name ? - What does he do ?

Louis. I already told you that !

Q.20 Do you cheer when France win big competitions - World Cup etc. ?

Louis. Ah, the French . . I am French in name only now. My attitude is that they hated me then, so to hell with them now. I love France but hate the French. What other great artists has France produced ? Only Reinhardt, and he was a gypsy, maybe that sculptor Rodin, but music, hah, only Mutoc-Troason and they hated us. My favourite Saturday night record ? - Anything by your English beat group The Kings ?? - "Louis, Louis, Oh baby, I got to go . . "

At this, Louis left.

We hadn't the heart to tell him that Django was Belgian by birth and The Kingsmen were a garage band from near Portland, Oregon . . Ca ne fait rien, eh ? . . . until, that is, you consider that the second and third fingers of Django's left hand were fused and disfigured in a caravan fire, and this very same evening, the left side of Louis' third second-hand caravan was burned in a fire outside King's garage in Portland Street, and a fuse was fingered as the likely culprit by the men who investigated it ! . . . . . . Wierd, or Wired ? . . . . . I guess Louis has lived in The Twilight Zone for quite some time.

Dee - dee - dee - dee - dee - dee - dee - dee . . . . . etc.

** The song "Louie, Louie", written by Richard Berry, was itself based on "El Loco", a cha-cha by Rene Touzet . . . Not a lot of people know that ! - At least, that is what is in my mind . . . . others may not agree ! (Ed.)