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Zique Delavigne hears. She has come home, old and embittered. The oboe can do nothing for her, other than dredge up useless memories. Or can it? Is there not something in the sound—some kind of manipulable psychotrope—that she can use to settle an old score? Bosevo, the author of this book, is an oboe made by the French firm Lorée Frères sometime in the nineteen-sixties. Somehow it found the words.
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