Building a virtual reality record collection

(Incorporating “MP3: return of the LP side Format!”)

Welcome to this new site dedicated to thinking about organising your music collection in virtual reality. By the time you’ve read through what we have to say we hope you will be:

  • Starting to play your whole record collection rather than individual records .
  • Getting more out of your albums than you ever did before.
  • Transferring all earlier formats (vinyl, cassette, CD) to virtual digital reality .
  • Start to find out about the forgotten powers of the LP Side


    What’s wrong with existing collections What is virtual digital collection
    Mp3 file size – how long What’s wrong with the single track
    WHY– THE LP SIDE FORMAT WORKS Why the delivery mechanism in the real and virtual worlds are different?
    Start to play the whole of your collection (1) Random Play (shuffle)
    THE VIRTUAL LP SIDE PUT TO THE TEST The technology to create LP-sides
    Safety first What type of collector are you?
    Realise the full potential of the LP-side format my challenge
    IPOD (and other MP3 players). Starting to play your whole collection (2)
    Death of the CD Forming music images virtual reality collection
    Kate Bush and other artists comments on the LP Side Press Comment
    Why many album tracks mess up on random play ? I-Tunes – creates your LP-sides
    Your collection – the ultimate listening experience! Reality for real world record collectors
    virtual video collection Who are the vinyl dinos ?
    A green record collection? MP3 Sound defects
    The digital world changes everything The USB Hard Drive
    Dreams do come true!

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    What’s wrong with existing collections

    How long have you been collecting for ? I like many have been doing it for about 40 years and I now have more music than I can count in so many different formats :

    Lets see if my memory is up to this

  • S7,S12 EP, LP , Cassette , CD ,cds, cdr, MP3 (Alb and albw) and so on.

    Well what’s the problem ?

    I want to play something where is it –

  • singles s7 ans s12 (up the loft)

  • LP's by various artists (out of order )

  • MP3 –on a cdr somewhere?

  • CD : I know its on CD but did I file that CD by artist, music style or just on the pile over there!

  • CD Box sets – purchased but only ever played once .

    After 10 minutes of looking –give up and go and play the latest purchase . Sound familure? My real world crimes are no different to yours i'm sure?

    Well I’ve been looking for solutions to overcome the problem and the best method seemed to be MP3 because all formats can be converted to MP3 . MP3 seemed compact and to my ears (used to playing scratchy discs ) seemed fine.

    To my mind copying your existing collection onto another format for your own personal use is not illegal –and that’s all I’m suggesting here.

    But my organisation problems did not go away . Because I then started gaining CDr and DVD discs with 1000’s of MP3 trax .

    IPOD BLUES

    My next solution was an IPOD but it wasn’t too long before I again found the ipod although very useful was not big enough for my whole collection.

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    What is virtual digital collection

    To me virtual digital reality is leaving old formats behind and setting up your collection on a Hard Drive .

    My virtual record collection now has 4 main elements:

  • A virtual record collection held on a PC Hard Drive
  • A virtual video collection held on another Hard Drive
  • A virtual image collection . of record and music related pictures
  • A virtual mobile record collection held on a mobile mp3 player mine being an IPOD . Size is the key with a virtual collection. Real world LP's , CD's , and DVDs take up a massive amount of storage space, but next to nothing on today’s USB Hard Drive .

    But the main advantage is not that virtual reality will give you space in your house , but that by playing your entire collection at 1 go, without the interference of packaging, it can send you to new virtual worlds taking your listening experience to a new level.

    Virtual reality is a term open to question. It was first applied to books and games and the imaginary thought processes generated by interacting with the book/game. So is virtual reality the hardware or is it the thought processes going on in your head? The same also applies to the virtual record collection –the combination of music and music images coming from your PC will send you off to your own virtual world.

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    Mp3 file size – how long?

    Or the age old question –how long is a piece of string!

    In the world of MP3 what is the ideal playback size for listening? Most people have opted to base MP3 files on the delivery mode in the real world – the single track or the CD or box set. I have come to the conclusion that the ideal listening format is the old LP side. Before you condemn the LP side as being out of date please read on. Lets have a brief look at the alternatives

  • Single track – The record industry would want you to believe this is an up to date format but its actually based on the cylinder disc which was “modern” C1900! My problem with this format for Random Playback (shuffle) is it only works for a specific tight groups e.g. hits of a particular decade or music of a particular type. Once you random play everything and move from say punk, 60s pop , classical , world and so on the listening experience is very uneven. The single track also ignores the main collecting trend of the last 50 years that most collectors buy a series of related tracks called an . Album tracks work fine within their context but play them on random play and it can be a listening mess.

  • CD format – So the CD format is an ideal delivery format and as a value for money collector I want 79 mins on an 80 min CD ! But when it comes to playback I find that after a period of between 20 and 30 mins I’ve turned off and I’m reading. Is your attention span much greater- be honest? How often do you play a whole box set end to end?

  • LP side – By recording some old records I had not collected on MP3 , by trial and error I came up with the ideal format – The LP side. This is a time sequence of related tracks of between 15 and 30 mins. Don’t forget that most Albums created in the classic Album period (1960 to 1990) were designed to be played as 2 sides or more. Some classic 60’s LP sides contain no more than 15 mins music –and they are perfect!

    The advantage comes with the LP side format when you load your collection onto your Hard Drive or IPOD . When you random play you get 3 music changes in the hour and you can get wild changes say reggae to classical to 90s hits to 30s blues and it works because after 20 mins your mind wants a dramatic change.

    The other advantage with the virtual LP side is that as you start to convert all you records ( LP's , CD's , downloads etc) and then random play you can start to play the whole of your record collection, rather than forgetting where something is filed and just playing the latest purchase again. The LP side random played also makes the perfect listening experience when driving .

    So my conclusion is back to the future- base your collection on the virtual LP side and start to play your whole record collection and improve your listening experience 1000%.

    Don’t forget you can edit the LP -side to suit your own preferred listening tastes

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    What’s wrong with the single track

    The music industry wants you to think that the single track is perfect for collecting music on why?:

  • Most collectors collect collections of related tracks called Albums (single artist collections, compilations of hits for a specific decade etc)

  • Most collectors gave up on singles when they got past the age of 12. If they collect singles now it is part of compilations and not as separate tracks .

  • But the worst crime of the single track is that when you random play Albums made up of individual tracks they will play 1 track from 1 album then 1 track from another. If you collect more than 1 style of music and more than 1 artist this gives a very uneven play . eg 1 reggae , 1 classical , 1 rap track and so on.

    We believe the solution to the problem of the individual track is overcome when individual tracks are joined together in virtual LP sides. Then you get roughly 20 minutes of related music followed by a complete change to a different style . What doesn’t work after 5 minutes works fine with 3 changes of direction in 1 hour.

    Dreams do come true!

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    WHY– THE LP SIDE FORMAT WORKS

    Having stumbled on the LP side format the next question is why does it work? Just to remind you the LP side format is a group of related tracks about 20 minutes long. Here’s what I came up with :

  • Albums since introduced in the 1940’s had all been designed to play as 2 sides
  • All Albums from the classic period (say 1960 to 1990) were designed as 2 sides.
  • In fact many classic Albums from the early 60’s have no more than 15 minutes per side !
  • That means most Albums to were designed to have strong opening and closing songs on each side .
  • The reality in the age before the CD was that while we started out with the intention of playing the whole LP often after 1 side we had a change in direction and played a side of something else .
  • Some people admit that often they only played the stronger side of the LP then moved on .
  • Concentration for most people reaches its limits after 20 minutes . While the Albums may continue playing for 40 or 60 minutes the listeners mind is wandering . Therefore the ideal listening time is an LP side.

    I found that with a group of MP3 virtual LP sides I could play them in random play and I had the even sequence I was looking for . Every 20 minutes on random play I would be given a surprise as it moved from 1 LP side to another.

    This solution worked beautifully on the IPOD when I used it as background for driving.

    However for those embarrassed about calling it the LP side feel free to rename it “The 20 minute time slice” Or the “part album” . The name is not important its how it improves your listening experience that counts! .

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    Why the delivery mechanism in the real and virtual worlds are different?

    The delivery mechanism up to the 1970’s was the LP side which meant an absolute maximum of 30 minutes playing, but normally only 20 minutes at a time. By chance this happened to tie in with most peoples concentration time.

    The delivery mechanism of the 80’s and 90’s was the CD . This was usually a continuous slab of music .

  • In the 80’s that was 40 minutes per Album , then
  • extra tracks were added, then
  • the double LP on a CD was introduced

    So in a very short space of time the the delivery mechanism went from the 20 minutes of the LP side, to often 60 or 80 minutes .

    As a value for money collector I want a full 79 minutes on the 80 minute CD I’ve paid for, but when it comes to playback I often loose my concentration after the 1st 20 minutes . Be honest are you any different?

    However in virtual reality – You have a choice about the playing length of any music sequence . The MP3 format puts the listener back in control of the total length of any file . Many people who’ve ripped CD's to ALBW ( Album whole ) MP3 files have just aped the real world, when there is a better choice. Some have gone worse and put whole box sets or even career spanning discographies on single MP3 files, so the listener is locked into hours of continuous playing by the same artist.

    The virtual LP side puts the listener back in control of the listening process for the 1st time in 20 years .

    Don’t forget you can edit the LP -side to suit your own preferred listening tastes

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    Start to play the whole of your collection

    This site has argued that up until now all you’ve played is individual records that you call a collection.

    However now in virtual reality as you’ve converted large parts of your collection to virtual LP -sides (approx 20 minutes) when you select the whole collection and opt for the random play button you discover:

  • Instead of playing an individual CD's I was for the 1st time in my life starting to play my whole collection. Every time my player moved on it could select a record I purchase yesterday or 1 I purchased 30 years ago.

  • I was playing discs I’d forgotten about years ago .

  • When say side 2 or 3 of the disc came up I was hearing songs I just hadn’t logged before. Why? Because my mind had switched off after the 1st 20 minutes when played on CD .

  • Those CD's that always seemed “too intense” , “too long” or plain “boring” . Cut down into LP sides suddenly become forgotten gems.

  • My new MP3 collection could random play , starting at 9 am and going on till bed time ! Yes I’d got the best juke box in town – my own choices but surprises every 20 mins, when winamp came up with a new virtual LP side. However because I’d made the choice there could be no unpleasant surprises !

    What you’ve actually achieved by transferring all your records to virtual LP -sides and then placing them on your Hard Drive , is placing your entire collection on your record player! However you no longer need to change the record every 20 minutes because the jukebox set up for random play will do that. Also with no packaging to distract you, you can just hear the pure music.

    But I want to hear the whole CD ? –That’s no problem because you can just play all sides in order. But I doubt if you will want to go back to old play formats after you’ve tried this method

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    Random Play (shuffle)

    Random play (shuffle) is the most valuable tool designed for virtual reality .

    The problem with a lifetime collection is you never have the time to play it from beginning to end. Size is valuable because it gives you a wide choice, but size brings major problems of organisation in the real world.

    So random play is wonderful for dipping in and out of the whole collection but it can also spoil the listening experience.

    single tracks – For a tight area random play can work well, say hits of a decade. However when Album tracks of all artists and all music types are random played, the experience is uneven. If say every 5 minutes tracks are selected by a 70s singer song-writer, then 1930’s jazz , then 90’s pop and so on . The end result is an uneven mess .

    LP -sides – However when LP sides of 20 minutes are played the same uneven jumps between styles of music is a breath of fresh air. After 20 minutes the mind is ready to jump from blues to classical to rap . The bigger the collection the more choice every time the random play moves on . The end result is you are playing your entire collection for the 1st time in your life . And lets be clear your own collection is the best in the world so why not play it all!

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    THE VIRTUAL LP SIDE PUT TO THE TEST

    I took a record collector on a search for CD's and while we travelled I subjected him to my IPOD with all the Albums chopped up into approx. 20 minute segments and explained my theories about the virtual LP side for the MP3 Album format. A very conservative sceptical listener I must say who was initially unable to accept any of my arguments .

    However on my return he played me 1 of his new CD's by a female blues singer and about 1 hour later said “ she’s not bad, but it did go on a bit!”.

    Yes I believe he’d instinctively picked up the deep seated psychological factor that after approx. 20 mins his mind wanted a change.

    To my mind this is the 1st unintentional confirmation that the virtual LP side is important to any1 who wants to build an MP3 Album collection.

    Since then I’ve been happy to hear him telling other collectors about the value of the virtual LP side.

    If in doubt try my challenge :

    Take 10 of your CD's – make it a broad range of artists and musical styles – split them up into MP3 virtual LP sides (approx every 20 mins where the silence falls) then add them to your IPOD or other MP3 player . Now set the play to random and test out the effect.

    I think you will find you have an enhanced listening experience .

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    The technology

  • Ripping CD's – There’s no shortage of programmes on the net to rip CD’s LP’s and cassettes into individual tracks.

  • Ripping LP’s– Ripping LP’s has been made a lot easier with the introduction of USB LP record players that plugs directly into the PC. These also offer software to clean up clicks and bangs from LP’s and hiss from cassettes. However once you have ripped the side of an LP ignore the next suggestion they always make to chop it up into individual tracks. Why do that when you have the perfect listening format -A complete LP-side as the artist originally intended it to be released!

  • MP3 – ALBW files – If your ripper has created 1 of these whole CD files, use an audio editor to cut up the file . There no shortage of packages out there for this but my experience is it’s much slower to chop up whole Album files, than it is to rip individual files then combine into LP sides.

  • LP sides created – Once the CD's has been ripped into individual tracks, you need to use a program that will combine a number of tracks into a single file . The one I’ve used is a piece of freeware called MediaJoin but I’m sure there are many alternatives available. All I’ve done is point mediajion to the files I want to combine give it a title “Johnny and the Moondogs-Hits–S1” and in a very short time I have side 1 of my virtual LP is created .

  • The I-Tunes and ID3 Tag solutions

    How long does it take? Difficult to answer that question. If you’ve already ripped off your CD's for your MP3 player, the job is half done and all you need to do is join them together. Once the process had started I was listening to completed LP sides as I ripped and combined others . The exciting background music made the hours fly by . If you love your collection the process will fly by.

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    Safety first

    I’ve suggested putting your entire collection on a Hard Drive . but I suggest you build in some safety .

    Why – well Hard Drives are more reliable than in the past but you can still get disasters and no-one wants to see their collection wiped out.

    Back up – Always back up your Hard Drive . My method of doing it on the cheap is every time I get about 250 LP sides I burn them to a DVD . If my Hard Drive fails I can then reload.

    Hard Drive organisation. It is dangerous to keep a large number of files in a single directory . My solution was to have an Albums directory . The albums directory then had sub divisions of :

  • Music by type ( e.g. rockabilly, reggae, classical)
  • Music by artist – My favourite artists have their own sub directories here
  • Music by decade – (eg 60’s 70’s )

    If a sub directory has more than 200 files in I create a further sub directory

    This method of organisation makes it very easy to pinpoint a particular file By this method of organisation I can point my MP3 player (in my case winamp) at the Albums directory and it will pick up my entire collection in all its sub-directories

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    What type of collector are you?

    “What type of collector are you?” used to be the question thrown out by Record Collector (UK) editorials in the 1990’s, followed by the accusation “just a mere software collector”; implying that unless a person was obsessed with picture sleeves , record numbers and marks in record groove run outs, they were unfit to call themselves “record collector”.

    I’m very grateful to those editorials because they did help me realise I was that “software collector”, more concerned with the music in the grooves than the cut of the packaging . After all, I rationalised, I bought my 1st single and my 1st Album primarily for the musical content –not the packaging.

    Now in the age of the IPOD (or other MP3 players) many more people are ripping the music off of records and becoming software collectors in its finest form- the digital music file.

    The next question any mere software collector needs to ask is, “how do I put the old delivery mechanism behind me and get the best listening experience”. This sites unique selling point is something that should excite that old RC editor – back to the LP-side format – but I suspect he will foam in the mouth at the suggestion?

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    Realise the full potential of the LP-side format

    Just in case this site has caused any confusion and left the reader thinking we’re only talking about the old fashioned vinyl Albums let me spell out what formats I’ve converted into the LP-sides–(an MP3 file of about 20 minutes).

  • CD's – a 40 minute CD would provide 2 virtual sides while an 80 minute one would provide 3 or 4 LP sides.
  • CD Box sets – Have been converted into 9 or 10 LP sides depending on the box set size.
  • LP’s – Have nicely ripped into 2 sides for most.
  • Cassette tapes – those I cannot find on any other better format . The sound quality of tapes when converted is poorer than CD but ears will adjust over a period of 20 minutes.
  • Concerts – I’ve chopped them up into 20 or often 30 minute segments and they work as well as if not better than the 2 hour originals.
  • Vinyl singles 7 and 12 inch ones – I’ve kept these grouped together because even after cleaning up they still pop and click but again over a periods of 20 minutes you ears will adjust and may be nostalgic for those days when all records popped and banged!

    So the simple answer is the LP-side format works for all audio files – Yes 1 file to rule all others !

    Once again I will emphasis the purpose of this site is to get the best out of your existing long term record collection by converting it to another format – the LP-Side MP3 format. It is in no way intended to encourage you into illegal downloading or ripping of others CD's

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    my challenge

    You’ve now read your way through my site .Still in doubt? Well try my challenge :

    Take 10 of your CD's – make it a broad range of artists and musical styles – split them up into MP3 virtual LP sides (approx every 20 mins where the silence falls) then add them to your IPOD or other MP3 player . Now set the play to random and test out the effect.

    I think you will be pleasantly surprised at the result and will find you have an enhanced listening experience. If it went well add a further 10.

    . Feel free to email me and let me know how it gets along. Please tell other record collectors about this site

    .

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    IPOD (and other MP3 players).

    In some respects this section is just reading what you’ve seen elsewhere. The size of the drive of an IPOD is large .

    In fact the IPOD is the purest form of “software collecting” so far. Everybody is happy playing the music of the Album without the packaging . Although my initial thoughts about getting my entire collection on a 30 gig, now seem a little naïve.

    1 single tracks –Anyway the purpose of the IPOD is to include a large chunk of your collection to give you a wide choice. The problem is that you do not always want to select artists beginning with A and play to artists ending with Z. Random play initially seemed the answer but this randomises individual Album tracks making for an uneven playback.

    2 whole Albums - Later IPOD’s I believe have a facility to play the whole Album then move randomly to the next. This however means that the IPOD will often play a slab of music for 60 or 80 minutes before moving on. Given that most people attention span is about 10 –15 minutes a lot of any Album is just missed.

    Also check out The I-Tunes and ID3 Tag solutions

    3 LP-side- By now you will have guessed that the solution is the LP-side of approximately 20 minutes. If the collection on your PC is already cut down to LP-sides then there will be no problem transferring them from the PC to the IPOD. In fact my experience is that transferring LP-side MP3's is quicker than Albums made up of individual tracks. The makers say album sized MP3's will use up the battery faster but I’ve no noticeable loss in battery power from the smaller LP-sides.

    The main thing is the benefit. Most people play their IPOD on the move and an IPOD full of LP-sides where a new side is selected every 20 minutes, is perfect for driving. Three changes of direction in 1 hour gives the perfect balance of consistency and change.

    I’ve now accepted my IPOD will never include my whole collection but then the challenge becomes to select part of my overall MP3 lp-side collection which are suitable for on the move.

    My I_POD has now proved to be the key to my strategy. As my total LP-side collection expanded I was getting exciting selections every time the shuffle moved on, but I again felt I was missing something. In the end I realized my favorites were getting lost in the wider collection. My solution was to place my favorite artists and albums on my I_POD so they now come up more regularly than if I play my entire collection. The balance had been restored giving me more of my favorites when I’m on the move.

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    Starting to play your whole collection

    When you arrive at a large part of your collection on Hard Drive in lp-side MP3 format and you go for the random play option, certain things start to happen:

  • You start to notice new things on side 2 and 3 of Albums you thought you knew like the back of your hand
  • You start to visit blind alleyways from your long term record collecting career that you always intended to return to but never had the time.
  • You start to hear CD's long despatched to the back draw in your filing cabinet/ CD rack..
  • You start to hear CD's you purchased but never gave enough attention to at the time –probably because another 2 or 3 new CD’s had also just arrived.
  • You start to listen to the LP’s/ Cassettes you could never find on CD .
  • The end result is that instead of constantly playing just the new CD until you are sick of it you are starting to play your entire collection.
  • By reasonable organisation of your Hard Drive when you no longer want to play the whole collection you can select out a particular music style, or artist and just play their records .

    So ask yourself “why did I buy all those records in so many formats – why did I buy my whole collection if I can’t play it “ So for the 1st time with the LP-side MP3 format and random play , you can start to dip in and dip out of your collection , which obviously from your point of view is the best in the world .

    So why not spend some time moving it to virtual reality and start to transform your listening experience.

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    Edit those virtual LP’s

    While you’re in the process of transforming your tracks into virtual LP’s why not think also about making them better for YOUR virtual reality. Think about when you last played the disk and what aspects grated on you .

    Here’s my personal hate list:

  • Talking –while I don’t mind any artist verbally introducing the track I don’t want their life history.
  • Jokes – are fine the 1st time but I don’t want too hear them endlessly re-cycled
  • The dog track – those tracks where the artist ran out of ideas before the end of the session or where the track was stuck on for a contractual obligation – The industry knows all about them – they used to burry them on side 2 track 2 !
  • Long boring solos – you know the drum solo that goes on for 10 minutes , the instrumental that goes nowhere

    In all these instance I either delete the track from the virtual Album or edit the track in a wav editor . My editing might not always be perfect but it does remind me of the long boring bit I’ve been saved from hearing again !

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    Packaging

    Well what is packaging? We’ll define it as any physical presence on which the Album of music is originally sent to you, so that’s the cover, liner notes and media on which the music is actually held.

    Packaging is very colourful and can on occasions be informative.. But in the age of virtual reality it creates more problems than it solves.

  • A collection of say 9 or 10,000 Albums can be stored on 1 paperback sized Hard Drive in the virtual world, but in the real world would need a large room for storage.
  • Extracting a disc from packaging and playing it can be time consuming, whereas a jukebox full of virtual LP-sides will play all day without further maintenance.
  • A large chunk of a collection if moved to an IPOD can become transportable
  • Some people become so obsessed with the packaging (picture disc and sleeves, record numbers etc.) that they forget the primary purpose with buying a disc is to play the music!
  • The packaging, particularly if reading extensive liner notes can become a distraction to playing the music.
  • Packagings main crime is that it prevents you from playing all but the recent purchaes. If you have 10,000 Albums (not unknown for a lifetimes collector) you can’t remember what you purchased or where you filed it. However if you have all your records on a massive Hard Drive the next shuffle could selct any of your 20,000 LP-sides.

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    Death of the CD

    The LP had a life cycle of 50 years but the CD after on 20 is in decline.

    The signs I detect are as follows:

  • In the UK, all town centre record shops have become mixed media (DVD, games , books and occasionally CD’s) shops.
  • The record industry only reluctantly agreed to lease tracks for downloading when the tide could no longer be held
  • At the time of writing 1 large record company has announced that all their product will be available on the net, via a virtual record company. In the UK a large record shop has given notice that all its products will be available for downloading on the net including deleted Albums .
  • At bargain basement and second hand shops I am now picking up CD’s at the same price I paid for vinyl LP’s in the early 90’s when their life cycle was in permanent decline.
  • One of the main selling points outside sound quality was that with CD’s you could squeeze 2 LP’s in your pocket. With a top of the range mobile MP3 player I estimate you can squeeze 1400 LP’s in that same space.

  • One further sign of the times, is high street electrical retailers have stopped selling personal CD players and replaced them with mobile MP3 players like the I-POD.

    However this time you do not need to buy your entire collection again-just transfer it to virtual reality.

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    LP

    For those readers who’ve started collecting in the last 20 years the LP (Long player) dominated most peoples record collections from the late 1950’s through to the early 90’s . The Album of about 40 minutes was spread over 2 LP -sides of a 12 inch vinyl disc.

    The sound quality was good but static on the surface did lead to low level clicks and bangs on playback. Record companies made the package attractive by putting large picture on the front cover but this lead some record collector obsessive to forget that the primary purpose was the music in the tracks.

    The LP went into sharp decline in the late 80’s when the CD could offer better sound quality, portability and rare tracks not previously issued. For a small band of collectors it is still out there as a niche market. Along with the 12" single (S12) modern DJ’s still use it on their record decks.

    What we did not realise in the golden age of the LP was that it contained 1 of the strongest playing formats – The LP Side which by chance matched out attention span (about 20 minutes).

    For those not clear – This site is not interested in the colour of the vinyl , the 12 picture on the front or the alleged better sound .

    The only part of the LP we love on this site is that they came split into approximately 20 minute sides (in reality anything between 15 and 29 minutes).

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    Mp3

    Mp3 is a type of electronic music file used for conveying music over the net. It is a lot smaller than traditional music files because it cuts out all frequencies above and below the human listening range.

    However the question that has not been asked up until now is what is the ideal length of an MP3 file for listening to music in your collection.

  • Is it a Single song ?
  • Is it a whole Album ?
  • Or is it LP Side length as we have argued on this site

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    Forming music images virtual reality collection

    If ripping of music is your thing why not do the same with music images to form a stunning music images collection to play at the same time as your virtual record collection

    The How

    These are the methods I’ve used:

  • Scanning CD covers and 7" and 78 single labels
  • Photographing LP covers a jpgs
  • Downloading images from the web (auction rooms , fan sites)
  • scanning music images from magazines and books

    Once you start you begin to realise the potential of the images collection:

  • Colourful singles , EP’s and CDS
  • Any form of memorabilia – posters , photographs , magazine front covers.

    The best package I’ve found to display my collection was just sitting on my PC which is:

    MS Windows /My Computer/ control panel/display/screen saver /My picture slide show option,

    My picture slide show option is pointed at the directory where I store all my music images. The screensaver then kicks in with either all images random played or a specific music directory if I want to tie in the music and the images.

    The potential of the system is enormous:

    Thousands of images for virtually no space cost

    CD and LP images are size levelled out.

    You can collect different images by your favourite artist long after you’ve collected all their music. The best music shots are often found on records.

    Music posters in the real world cost a lot of money, occupy wall space and fade over time. Virtual music posters just come round again when you select them.

    You’ve collected all the cd mp3 tracks you need by an artist . Why not collect all the S7 and 78 record labels images ?

    My virtual music images collection starts to play the moment my windows screen saver kicks in. The virtual collection is a lot richer than a real world record collection, which remains locked up in ugly storage cabinets.

    Real world rules don’t apply!

    In the real world you are restricted to 1 or 2 images per record. In virtual reality there are no such restrictions so lets make some suggestions:

  • Exceptional /appalling album sleeve but poor music- dump the music but include the images.
  • Artists greatest hits album is the only music you need. But that doesn’t stop collecting all his other record images CD’s, LP,s S7, CDS, EP’s 78’s
  • You play your record collection on a hard drive. That’s does not stop you collecting images of old juke boxes , record players , gramophones, HFI systems and cylinder players .
  • You went to the concert/festival so you have images of tickets and posters. Fine but why not also collect those of the gigs you would have liked to attend –its fantasy time.

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    Kate Bush and other artists comments on the LP Side

    Kate Bush

    One of the things I thought I did wrong with the last record, is I think it was too long and what I was trying to do was give people as much for their money as possible . I think its difficult, because as an artist you want to give people their moneys worth. In a lot of ways peoples attention span does not last that long and what was so great about vinyl records was that you had that forced gap. And so you’d listen for 20 minutes, then you’d go off and make a cup of tea or something –then turn it over or put another record on . You had that enforced break between the 2 sides which I think was a more comfortable length of music to listen to.

    Kate Bush BBC Radio 2 7/11/05

    Has she read our page or did she come to the same conclusions independantly?

    Stuart Murdock of Bell& Sebastian

    “Vinyl is a good length, 2 sides, 5 or 6 songs (record collector 4/06)”

    Sonic Youth

    “You never get to the end of a CD, so we made the decision to make Albums closer to the experience of listening to vinyl (record collector 5/06)”

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    Press Comments

    A Game of Two Halves "As Dylan Jones is quick to point out in his new book IPOD: Therefore I Am , the IPOD revolution has brought the rebirth of the 'song'. No more being chained to boring Album tracks when all you want is the singles, and other such hi-fi liberating concepts. But to one OK Computer reader it's all wrong. What about the classic Albums we love for all their songs, and faults? They're now fragmented into a dozen pieces, losing any cohesion, structure and good old-fashioned vibe the artist might have striven to achieve.

    The answer is simple. Stephen Islip argues, and he's set up a whole web page to describe in detail what he means, . Stephen states the case for going back to 'sides', IE creating 30 minute-ish, multi-track MP3s that play back whole sides - as opposed to individual tracks - of your old vinyl Albums when you switch on your iPod and set it to 'Shuffle'.

    As a result of following Stephen's guidelines you can relax and get into, for example, all of side one of Peter Gabriel's 1978 epic Scratch (aka Peter Gabriel II). Instead of going straight into something completely different after one song, you can enjoy the whole set as it was meant to be and then -at a point that the musician would have decided (i.e. where they decided to put the 'end of side one finale'] you can then move on to something completely different. Perhaps side two of Sgt. Pepper which I - and I don't think this will cause much contention - have always found by far the best.' "The best format for the MP3 age is the old LP-side." Mr Islip, and he really is committed to his cause, "As far as I'm aware my approach is unique -I can't find any other collector using the LP side on their iPod for instance." Will it catch on? We shall see!"

    Record Collector UK -Oct -05

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    Why many Album tracks mess up on random play ?

    Many Album tracks are just that – Album tracks – they are not exceptional – they will never be singles – but they are part of a great Album . As stand alone tracks they would be weak but as part of the whole Album they can fill in on a theme or contrast light and shade

    In other words they are perfect as part of a set sequence but when they are ripped out of context and random played their weaknesses are exposed . The solution of course is to restore them to their set sequence as LP-sides then random play the lp-sides

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    I-tunes – creates your LP-sides

    I’m grateful to Simon in the USA for this suggestion for the ever popular I-Tunes :

    “   It is possible to group CD tracks by LP-side without using a program like MediaJoin to make one file. Instead, I selected the block of songs already imported into iTunes, and in the 'Get Info' option for the block selection, renamed the Album title as ' Album Name - Side 1'.  Then the next block would be ' Album Name - Side 2', and so on. 

    Now when you shuffle your iPod at the Album level, you will get the same effect as having a single file.  But you also have the added benefit of retaining the track titles.  For me, the titles are something I like to refer to even after a few plays.  This approach works best for CDs imported automatically into iTunes. “

    ID3 Tag Solution

    I’m sure this solution would work and suggest for anybody not using I-Tunes, album titles could be altered in the same way by use of an ID3 mp3 file tagger. There are numerous ID3 tagger programmes available in freeware and shareware on the web.

    Either solution will give you individual tracks grouped into LP-sides. So next time you Album shuffle your I-POD (or other MP3 player) you will get 20 minutes of play with individual tracks.

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    Your collection – the ultimate listening experience!

    Your collection which consists of:

  • CD’s , and LP's collected over 20 or 30 years
  • Cassettes never seen on other formats
  • Those dodgy bootlegs you’ve collected over the years
  • Every track recorded by your favourite artists
  • Singles of all varieties converted into hits of my favourite decades files
  • Net Downloads from official sites
  • Radio concerts recorded over the years

    Now all these recordings are converted into lp-side files of approximately 20 minutes and sitting on your Hard Drive (or IPOD ). You know it’s the best collection in the world –you spent years collecting it. So instead of just playing the latest purchase once again – why not give the whole collection a spin. YES THE WHOLE COLLECTION.

    Set the Random play going and suddenly you get:

  • 20 minutes of a record you purchased 30 years ago, followed by
  • last weeks purchase of 20 minutes followed by
  • hits of your favourite decade.

    Each 1 when it starts is a surprise and after 1 hour, you realise what a wonderful collection it is and you’re now ready to keep playing for another hour. Your huge collection gives you the greatest variety of surprises, but because you are the gatekeeper – no bad surprises.

    You’ve suddenly found the listening experience to surpass the LP and CD ages – its 1 you will never tire of.

    Welcome to the ultimate listening experience of the digital age and it’s all yours.

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    Reality for real world record collectors

    Record collectors who have been collecting in the real world for a few decades are often in denial of the problems they have caused themselves.

    I’m grateful to the Record Collector (UK) Magazine who in their The Collector column regularly feature addicts who’ve collected between 10 and 20,000 records. They always talk about picture discs, but never recall the downside. Let’s have a look at some of their main claims:

  • I have a large collection of singles –The reality is that they are often stored in the loft not played in years. Perhaps the collector believes they have mythical value, so they are stored in ugly steel record cases.

  • A wonderful collection of picture albums – well each 1 many look pretty but they are kept in storage racks –so instead of pictures, it is just a series of spines leering out.

  • “I get perfect sound from ( LP's , CD's , 78’s)” . All sound is relative. The record industry has conned us on several occasions that this new release is perfect sound, only to be told 2 years later its really worse than before. There is no such thing as perfect sound. Ask any tormented audiophile, who is always upgrading his system, only to find out that other parts no longer balance, or the records no longer sound acceptable. If you find a format that works for you, listen to the music and not the sound system.

  • I have a huge collection of LP's and CD's , . Yes but to maintain them you’ve had to invest in massive, boring, storage racks and extra storage rooms. You have all the problems of filing (artist, music, or decade) and then more trouble trying to find individual records. Most collectors if they are honest have given up years ago and are just regularly playing their favourite artist, or their latest purchase. The collection has got so big it is difficult to remember the 1 off purchase made a few years ago, so its effectively lost forever. Some record collectors even own up to buying records again, because they’d forgotten its already in their collection.

  • This is a very collectable record and its worth hundreds of ….. Yes there are a few collectable records that some collectors spend a lot of time fantasizing about. The trouble is they become so expensive; all they can do is nail them to the wall to show visitors. If records cannot be played because they are stored in air tight cases, they are not records.

    The trouble here is collectors have forgotten that the primary purpose of a record collection is to play it. What has happened in the above examples is the old formats and packaging have become physical barriers, to playing the whole record collection

    Virtual collectors answer

    As we’ve recommended in other sections the virtual record collection is:

  • Albums and singles + old radio broadcasts stored on a massive Hard Drive (a 500GB hard drive will store 12,000 LP's .)

  • A store of music images, ripped from records + other related music images played whenever you want it.

  • A mobile MP3 player, to download a section of the above Hard Drive collection, for use on the move.

  • The shuffle( Random Playback ) function can now be used, on both the virtual records and virtual images, to “data mine” your collection, to bring back long forgotten records or all time favourites.

    Until you’ve experienced the power of playing your whole collection, you do not realise the unique and exciting experience you’ve been missing.

    Ask yourself why invest so much money in your record collection, if not to play it.

    Record collectors in the past have always resisted change when they fear their past collections are being written off. Not with MP3 .The old style record collection is a super base for forming a virtual collection, but old formats need to be ripped and left behind, if the collector wants to form a virtual record collection fit for new millennium.

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    The Bloated album

    The album was introduced in the late 1940’s as a box set of 78’s, but quickly transformed into the world beating LP. This consisted of 2 sides of no more than 20 minutes in early forms, subsequently increased to 30 mins before its demise.

    In this form the album was much loved, but was that really not for its sound quality, but the fact that the listener got a choice of programme after 20 minutes, which tied in with his/her attention span .

    When the album moved to the CD initially listeners were excited that they didn’t have to leave their chair after 20 minutes and turn over a side. Then to persuade collectors to re-buy old stock again they were offered extra tracks, then whole albums.

    On top of this the expectation then became that artists with new records, would offer 60 minutes. While some world class artists could deliver, most just offered extra filler.

    The outcome was every time an album went on the CD player, the expectation was a commitment to that record for 60 minutes plus. However the average listeners attention span was exhausted after 20 minutes.

    Learned professors carried out in-depth surveys and discovered that listeners were unhappy with digital music. However the thing they failed to notice was it might well have been the bloated album that was being rejected, because it went way outside the average listeners attention span .

    It won’t surprise any reader here if we say we have found the solution –cut up bloated albums into MP3 LP-sides.

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    virtual video collection

    My virtual video collection consists of :

  • DvD’s ripped
  • Video Music Files downloaded
  • TV programmes recorded
  • VCR’s copied to dvd
  • Music Videos
  • 40’s soundees –music films from before the age of video extracts from 50’s and 60’s film soundtracks –the musical sections only.
  • Extracts Musical film soundtracks
  • Musical introductions from my favourite tv shows and films

    Place all of these on 1 huge USB Hard Drive and hit the random play (shuffle button) and you will start to play the video collection of your life.

    As with the musical side the length of time that any 1 section lasts for is a key point. This is especially the case with long concerts. I now restrict concert sections to no more than 20 minutes, so this guarantees at least 3 changes per hour.

    The bigger your collection , the more variety you have

    This means that within any hour of play, I get a random selection of my favourite videos –again a musical experience only available when your whole collection resides on a Hard Drive .

    I use the winamp to play my collection because it can play everything on my Hard Drive and can play both mpg and avi files. I use various mpg and avi editors to cut the files down to the correct size for my collection.

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    Who are the vinyl dinos ?

    I confess to having invented this term to describe collectors so obsessed with the past, that they cannot see the advantages in the future: Lets find some answers to vinyl dinos

  • people who claim to have huge collections, but in reality end up with huge Frankenstein storage problems, all locked away in steel boxes to improve their mythical value.
  • People who claim to love picture sleeves but end up looking at walls full of racks with spines leering at them.
  • People who pay stupid amounts for disks they nail on the wall
  • People who spend more time obsessing about packaging, record numbers, and scratch marks in run out groves but very rarely get round to listening to the music

    These dinos always go on to claim the sound of earlier formats was superior to today’s sounds but can never demonstrate the results of blind tests to prove their case

    I have no difficulty in recognising the vinyl dinos traits, having been a collector for more than 40 years and have fallen for all the above at some stage.

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    A green record collection?

    With the current favourite recording stars appearing on stage all over the world in 2007 telling us we need to revise our lifestyle to save the planet, I hope record collectors are also prepared to reconsider their future collecting methods.

    Traditional format collecting is not very earth friendly. Plastic and alloy discs require:

  • use of scare resources for a base;
  • use obnoxious chemicals in production;
  • are incarcerated in wasteful packaging, and
  • require scare fuel for transport.

    Finally the purchases then have to be stored on racks hacked down from fast disappearing rain forests.

    The alternative is a virtual record collection of music and picture files held on a Hard Drive (the modern equivalent of a record deck). A much lower carbon footprint I’m sure. Of course it would help if the download companies priced their tracks according to the quality of product they are offering (say no more than 10p per track) then all collectors could jump on board, to the greener virtual economy.

    (this 1st appeared in Record Collector letters Column in September 2007)

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    MP3 Sound defects

    The only thing all vinyl dinos can agree on is that mp3 sound is poorer than earlier formats

    Lets be clear no sound is perfect unless you have the original artist performing before you in your front room.

    All records were made by the record industry as cheap clones to play on cheap clone players (like the classic Dansett so beloved on vinyl dinos). Producers introduced compression and echo and other tricks overcome the inadequacies.

    What our Dino friends with such a hatred of “digital sounds” forget is that any record (LP, Cd, whatever) mastered or re-mastered in the last 15 years has been digitally re-mastered.

    They claim MP3 plays poorly when pumped through huge systems. My answer is that in a domestic situation where most collectors play (the home, the car, walking) mp3 sounds fine. Rather than looking for always the best, I adopt the approach “is it good enough for me” . If it sounds OK to me (and to millions of other MP3 users) then a few sound obsessives are of no interest to me.

    Although as we’ve already stated claims about perfect sound are subjective, I think we need to explore vinyl dinos claims to “perfect analogue sound from LP’s, if we ignore clicks and bangs”

    Now these people seems to sit in sound proof rooms in their homes saying “that’s a perfect sound, that’s an inadequate sound”.

    Me and millions of collectors live in the real world where the following are the norm:

  • Domestic seen – playing with a background of kids interruptions and Soaps on the TV in the next room.
  • The car – IPOD playing with a background of road noise and passenger chat.
  • Taking the dog for a walk with IPOD in the ears – fine but bloody nature as a background!

    I take all the above and many more imperfect opportunities to play my record collection in the real world. Despite all the above interventions I still enjoy it. If I waited for perfect album on a perfect sound system my collection would never get played.

    So ask yourself is MP3 (with its many different levels of sound quality) good enough for you?

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    The digital world changes everything

    Real world collections used to expand by no more than 1 or 2 records per week. But now in the digital age there are a lot more sources available to the avid record collector . Lets identify the main ones:

  • Your own LP /CD collection can be ripped into MP3 form.
  • Downloads are available from official websites but come with a major health warning –they are poor value for money.
  • Old time collectors have off loaded their old collections and items can be picked up from a few pence each at boot sales or second hand shops. These can then be ripped and discarded.

  • Lots of un-official download sites on the web where collectors exchange copies of their records (this is the equivalent of the old cassette exchange) .

    Some of the above methods are illegal and are not to be encouraged.

    However using the above methods the digital collector can build up a HUGE collection.

    So what does all the advise say about when you have ripped a CD – burn it to another CD –ROM – Why. Burning new CD’s just increases your storage problems and makes it impossible to find the 1 you want to play.

    We say keep all your records as virtual records on your Hard Drive then you can start to take your collecting to a new level by starting to play your whole collection as a virtual record collection.

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    The USB Hard Drive

    Record collections have expanded due mainly to the net, but collectors need new practical ways to store their collections.

    If a collector wants variety and choice, all without packaging storage and filing systems getting in the way of the listening experience, the hard drive is the only solution.

    Hard drives are getting bigger while prices seem to halve every 2 years. Hard drives are also more reliable than in the past, but safety first measures still need to be adopted

    While collections can be placed on the PC hard drive it actually is easier to buy a separate USB hard drive which makes your collection more portable.

    Let’s take the 500 GB USB hard drive which can be purchased on special offer for as little as £75. This will store a massive 9700 60 minute albums (ie about a years worth of unrepeated play) or 25 days of video play.

    But if the 500 GB drive is not big enough the 1000 GB drive at £200 is now available.

    However storage alone would be boring. The value of the hard drive is that you can point your MP3 player at the directory on the hard drive where all your files are stored, get it to load them all, then play your whole collection.

    This takes your musical experience to a new level. Never before, have you been able to play your entire collection without the interference of technology or packaging, an entirely new and liberating experience.

    We suggest you adopt random play and the MP3 LP side format to get the most out of your collection, but neither is essential.

    see also Dreams do come true!

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    Dreams do come true!

    When I was a boy aged 10, the dream was to place all my record collection of 5 LP’s on the multi-play Dansette Record Player and play the entire the entire collection in 2 plays. The reality was usually all 5 LP’s fell at the same time, but the dream never went away. .

    Now with a much larger collection I can place my entire collection on the record deck( a USB Hard Drive ) and play the whole lot in 1 go, a dream come true. .

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    created aug-2005 -updated 6/06, 2/07 , 8/07


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