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n.
Hugo Weaving ~ The Magic Pudding
AU
Animated Movie 2000 Running time: 80 minutes
Hugo
Weaving Content: appx 43%
Bill Barnacle: headstrong,
salt-of-the-earth sailor/pudding protector
Cast:
John
Cleese Albert the Magic Pudding,
Geoffrey
Rush Bunyip Bluegum, Sam Neill
Sam Sawnoff, Hugo Weaving
Bill Barnacle, Toni Collette
Meg Bluegum, Jack Thompson
Buncle, Dave Gibson
Uncle Wattleberry, Mary Coustas
Ginger, John Laws
Rumpus Bumpus
Dir:
Karl
Zwicky Based
on books by:Norman Lindsay
Availability:
Australian R4 DVD with 'Baking of' documentary |
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Hugo
Weaving: The Magic Pudding Plot/Comments:
Aclassic
of Australian children's literature, The Magic Pudding is a back-to-basics,
old-fashioned, no-frills 2-D animated film which is often charming in its
chaotic 'road trip' mentality, though in its simple treatment and gimmick-free
plot, it was a difficult sell outside of the territories which were familiar
with Norman Lindsay's much-loved book. |
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Being
such a classic of Antipodean bedtime reading, the assembled talent of the
voice cast belie the obviously restricted budget: Geoffrey Rush is Bunyip
Bluegum ~ a quiet, timid, well brought up koala looking for his parents;
Hugo Weaving is Bill Barnacle ~ a headstrong, rambunctious salt-of-the-earth
sailor/explorer; Sam Neill's Sam Sawnoff is a fantastically fey
and cultured penguin; and Jack Thompson is evilly bungling as the pudding-stealing
Buncle (a new character brought in to give the story a more accessible
good vs evil plot). The only outsider in the cast is the imported talent
of John Cleese, who is suitably curmudgeonly (though very one-note) as
Albert, the pudding him/itself. |
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The
movie's animated characters, faithfully lifted from Norman Lindsay's illustrations,
move through surprisingly well-rendered watercolour backgrounds, showing
their journey through typical Australian countryside.
The plot is a 'waffer thin' (the pudding is eternally available for eating
and can be any flavour you desire; baddies want it for themselves to hog;
Bunyip is looking for his parents and the pudding grudgingly ends up helping)
but serves as a way of hanging a series of chases and slapstick set-ups
together. |
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The
Magic Pudding Gallery
Back: The
Kiss
Next: The
White Devil
Web
Weaving
Typical
Hugo Weaving Quotes:
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"Let go
of our puddin'., you large-bellied beached whale!"
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"That's
the most bunfoodlin' idea I ever heard"
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"The Noble
Society of Puddin' Owners 're sworn to protect the puddin' "
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"Nothin'
gives a puddin' thief away like a fruit and nutcake with chocolate sprinkles
on top ~ we'll thump yer heads"
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"Blasted
poltroon"
Comments:
-
Geoffrey
Rush taught Weaving clowning at NIDA, was the original Allen Fitzgerald
in The
Blind Giant is Dancing, worked
on Frontier , and
directed him in The Popular Mechanicals. Sam Neil co-starred
in For Love Alone.
See
The
Usual Suspectsfor a huge list
of recurring Weaving co-workers.
-
AFI Nomination
for Best Adapted Screenplay
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Hugo
Weaving content:
Perhaps
the best reason to get the Australian R4 DVD of The Magic Pudding is
The
Baking Of documentary, which as well as interviews, has some cracking
footage of voice-booth performances from Hugo Weaving, Geoffrey Rush and
Sam Neill.
In particular,
there is a fair bit of footage (appx 2 mins) of Weaving's fantastically
animated (no pun intended) performance: all Elvis grimacing, leg
shakin', and puddin' slurpin'. |
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Sam
Neill: "There were all these people doing it that were friends
of mine ~ Geoffrey and Jack and Hugo. So I thought I'd be in good company.
I
had to pitch my voice up a bit because Hugo and I actually have very similar
kinds of voices. He got to be down here [adopting Weavingesque
Bill Barnacle voice] and I got be up here [doing mild-mannered Sam
Sawnoff voice].
Hugo
Weaving: "I guess like everyone else, I read Magic Pudding
, or had Magic Pudding read to me when I was a kid, so when you
get offered someone like Bill Barnacle you can't really turn it down, so
I was pretty excited about it. "
Sam Neill
: "I think probably the best fun I had on it ~ because usually when you're
doing these things, you're standing in a room by yourself and feeling like
a big prawn in front of the microphone ~ but I did have two days working
with Hugo and we bounced off each other and kind of had fun and the best
day of all ~ the thing I enjoyed most of all doing the film ~ was we did
a few songs". |
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