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n.
Hugo Weaving ~ The Matrix
US
Movie 1999 Hugo content: approx 33%
(125 mins )
Character:
Agent
Smith ~ softly-spoken G-man/Sentient Program
Assassin
Cast:
Keanu
ReevesThomas A. Anderson/Neo,
Laurence
Fishburne Morpheus, Carrie-Anne
Moss Trinity, Hugo
Weaving Agent Smith, Gloria
Foster Oracle, Joe
Pantoliano Cypher/Mr. Reagan, Marcus
Chong Tank, Julian
Arahanga Apoc, Matt
Doran Mouse, Belinda
McClory .... Switch, Anthony
Ray Parker Dozer, Paul
Goddard Agent Brown,
Robert
Taylor Agent Jones
Dir
and Wri: Andy Wachowski & Larry Wachowski
Availablity:
DVD
and video available worldwide. The Matrix Revisited
double-pack
is the definitive version as of 6 March 2003 (retrospective documentary,
Weaving easter egg, others) |
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Hugo
Weaving: The Matrix: Plot/Comments:
A
Hong Kong movie/Manga comic geek's paradise; a Friday night booze-and-curry
crowdpleaser; a thoughtful philosophical political brainstormer:
The
Matrix is a paradox. And then there's the plot…
How do you know reality is not a dream? Can you even trust your senses
to tell you the truth? How do you know you are experiencing what your senses
tell you? Are memories and personality the sole product of truthful
experience? What if it was all just a dream? Or somebody else's? Or some
thing else's? |
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In
the 'real' world, hacker Neo is contacted by guerilla cybergod Morpheus,
who promises to reveal the 'truth'. He is also hunted by 50s-style anonymous
G-Men/Feds out to protect 'the system' from actual or potential cyber-terrorists.
But things are not as they seem...
Neo finds out that he lives in a computer shadow 'reality', designed to
keep the unconscious factory-farmed populace docile while machines
rule the Earth and sentient software rules the real/dream world
, known as the 'Matrix' (at least this is the truth according to Morpheus:
if the audience learns something from the film, it's to always mistrust
what you are told).
The only hope of freedom is by fighting the machines on their own unreal
turf: but every person who has ever stood their ground against an
Agent (sentient program, such as Weaving's fearsome Agent Smith) has been
killed ~ usually brutally. |
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Heavily influenced by comics such as The Invisibles, Hong Kong kung
fu movies, and Chow Yun-Fat/John Woo hard-boiled gun cool, The
Matrix is visually stunning in terms of direction, cinematography,
design and stunts. However, a large part of its ongoing success is also
due to the excellent acting, ~ notably from Weaving and Fishburne and also
Joe Pantoliano and Carrie-Anne Moss ~ who grip the audience in scenes with
little or no action.
The
film is at its best when the Agents are facing off against the human characters:
they are not evil, merely efficient; they do their jobs without emotion
and with all the best dialogue.
There
is a huge amount of intense one-one-one dialogue which Hugo Weaving
(as laconically menacing Agent Smith) delivers with immense variation of
his voice: hushed, smoothly arrogant, monotone, or filled with barely-controlled
loathing. The scenes between him, Keanu Reeves and Laurence Fishburne
are full of eyeball-to-eyeball magnetism and bristle with tension. |
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Hugo
Weaving Content
Probably
the most famous of Hugo Weaving's roles, the most commented-on feature
of his performance as Agent Smith is his voice, which has been muted
into a multi-national MacDonalds/Microsoft/Starbucks sterile drawl
(with
more than a few mid-Canadian overtones). The smoothed-out, slowed-down,
generic tones have made it become one of the most recognised and emulated
character voices of recent cinema, with the seemingly simple "Mr
An-der-son" becoming something of a catchphrase.
Weaving portrays Smith as somewhere between human and machine. As he loses
control of the situation and himself (developing an ego-driven grudge match
against Neo), he also develops more emotive qualities, reflected in his
voice, body language and attitude.
By turns, he is controlled, unblinking, disdainful, long-suffering, patient,
obsessed, arrogant, vengeful and sickened; his face becomes warped
with emotion, his voice betrays his feelings, and he receives pleasure/comfort
from inflicting pain: in short he becomes all too human. Smith
becomes obsessed to the point of 'self'-consciousness (self vs group is
a big theme in the film), risking resources and reputation to conquer his
own personal demons and put an end to the contamination he 'feels' and
'smells' in the human-infested Matrix (see the Classic
Scene ).
However, Smith does not have the programming to deal with this unwelcome
humanisation: he is becoming the thing that he detests more than anything
else and this facet of self-loathing makes Smith a surprisingly typical
Weaving character.
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The Matrix Gallery
The Matrix Reloaded
Classic Scene: Agent Smith
The
Making of The Matrix
The
Matrix Revisited
Next: Strange Planet
Back: Bedrooms and Hallways
Web Weaving |
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Hatsukioji
plushie details
here

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