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Hugo
Weaving ~ Priscilla, Queen of the Desert
AU
Movie 1994: Hugo content: approx 93%
(104 mins )
Character:
Tick:
gentle, on-edge gay/bi with wife and kid in the closet
Mitzi: boozy harlot drag artiste
Cast:
Hugo
Weaving Anthony 'Tick' Belrose/Mitzi
, Terence Stamp
Bernadette, Guy Pearce Adam/Felicia,
Bill Hunter Bob, Julia
Cortez Cynthia , Rebel Russell
Logowoman
Dir/Wri:
Stephan
Elliott
Availablity:
DVD(no features) & VHS |
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The
beauty of Priscilla is that it's much more than a sequence
of (very funny) dick jokes, camp asides and brilliantly abstract song/dance
routines. The script gives the characters plenty of scope to change and
it is unafraid to carry an underlying message about the need for acceptance
(racial, sexual, relationship, dress sense…): there is also a huge
amount of heart, though never schmaltz.
It's no surprise that the film found such a huge mainstream audience (outside
of the US) on release and Priscilla has so much going for it that
it's become an established repeat-watcher, gaining a huge cult following
among gay and straight viewers alike. |
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For
a film as unabashedly and outrageously camp as this, it comes as a surprise
on first viewing to see how character-driven it actually is;
often showing subtle and insightful writing and acting.
Terrence Stamp (who, for my tastes, can sometimes be rather woodenly hammy)
plays Bernadette as completely 'straight', never resorting to anything
like a trannie stereotype, and his slightly anachronistic bearing and mannerisms
are perfect for the faded Lay Girl: he contrasts Bernadette's vulnerability
and need to be loved/to love, with a toughness born by necessity. Priscilla
is, without a doubt, his best performance.
Although pre-LA Confidential/Memento Guy Pearce is suitably hyperactive
and shallow as Adam, this character is perhaps Priscilla's only
real flaw: he's a little too one-sided and constantly facetious (though
he does soften a little after the Coober Pedy incident). Still, the Neighbours
-honed muscles made a lot of people happy and he delivers some wonderfully
foul jokes (particularly the Abba relic). |
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Making Priscilla
Priscilla Gallery
Priscilla Interview
Back:
That Eye, The Sky
Next: Arcadia
Web Weaving |
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Typical
Hugo Weaving Quotes:
-
"Look,
I haven't lied about anything. After six years I get a phone call screaming
for help and christ knows I owe her a couple of favours. [choking up]
I'm
sorry that I never told you. I'm not sorry that you're here"
-
"Well,
I've had a look around and I think we can safely assume that I now know
less about motors than when I first lifted up that...that bonnety thing"
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"It's
nice...in a hideous sort of a way"
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"Tackarama!"
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"You can
make a fine living in a pair of heels"
-
On
Aids Fuckers Go Home, painted on the bus"No matter how tough I think
I'm getting, it still hurts"
Comments
and Queries:
-
AFI
Nomination for Best Actor: Hugo Weaving
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Another
stuttering part (see
The Interview, Russian Doll, Peaches)
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Did
Tick do the full tuck? "I don't think I ever did it properly. You've
really got to push your balls right up and then pull your dick right back
and tape it up your ass. Instead I just went for tightish jocks to keep
myself in position" See the Juice Priscilla
Interview for the whole thing.
-
Other
gay parts in Bedrooms
& Hallways, The Kiss
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Original
choices for Bernadette: Tony Curtis, Tim Curry, Bryan Brown, Chrisopher
Reeve, William Shatner.
Original choices for Adam: Jason Donavan, Paul Mercutio Original
choices for Tick: Michael Hutchence, David Bowie, Rupert Graves, Hugo
Weaving, Sam Neill and Rupert Everett, who was the main contender.
-
Stephan
Elliott directed and wrote Fraudsand
was the 2nd assistant director back in '87 on The
Right Hand Man. Rebel Russell
(exec producer, Logowoman) pops up everywhere. See The
Usual Suspects for a huge list of
recurring Weaving co-workers.
-
Making
of Priscilla available 2nd hand.
Script available 2nd hand (Priscilla... Stephan Elliot) though is
exactly as per the film, inc unscripted adlibs.
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Hugo
Weaving content:
According
to producer Al Clark, Weaving was "a drag natural".
Tick is a wonderful
example of his huge range, completely confusing people who only see him
as the kick-ass mean bastard (
The Matrix , The
Lord of the Rings ). Although on the surface, it seems
a very atypical role, there are also some very typical Weavingesque traits:
Tick is still riddled with self-doubt and is another character who feels,
or is, ostracised from society. |
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It's
a beautifully subtle performance, with Weaving bringing a huge variety
of physical/facial/vocal variation to the role.
A good example of this is his campfire confession that he has a wife, while
withholding the small matter of also being a father: markedly different
to Tick's normal speaking voice while still soft, trying not to break;
eyes betraying the doubt and uncertainty of confessing all to his stunned
companions. The scene is all the more touching for being delivered in a
gentle and understated way. |
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