The Web Reviewing Community
Statement
Whoever you are, welcome to the Web Reviewing
Community (WRC)! As hard as it is to give a general definition
of what we are, a possible one would be that we're a group of
open-minded, friendly disposed individuals, all of whom are united
by one thing and one thing only: a desire to share our love and
knowledge of music with other people. Not just the love of music
as something to listen to while cleaning the house - the love
of music as ART, a way to open up your spiritual and intellectual
resources and discover new and exciting things that make life
so much more interesting.
So what, exactly, IS the WRC?
At the heart of the WRC are independent music
reviewers who set up personal web sites dedicated to analyzing
music of their own choice. They are totally free from any obligations
or restrictions upon honestly speaking their mind about any type
of music, regardless of its actual commercial or formal critical
recognition. The WRC sites differ in quality - some are bigger
and some are smaller, some older, some younger, some well-established
and with an identity of their own, some still struggling to find
that identity. Yet all of us think that every single reviewer's
opinion is valid, provided that it is given in an honest and open
manner. After all, music is a matter of the spirit, and we all
have different spirits! And the WRC is not only a source of musical
information - often, it is a great way to come across all kinds
of different people, a way to broaden your horizons by examining
others' tastes, evaluating others' points of view, and comparing
them with your own.
Yet the review sites are only one part of the
WRC. The other, equally important part, are the people who visit
these sites - people who may not be writing reviews of their own,
but who are no less interested in music than the people who spare
time to write about it. People who watch and wait for every new
update. People who leave their comments on particular bands and
albums. People who participate in music - and not only music -
related discussions on WRC forums and message
boards. People who want to learn more about music and share
their knowledge with others. People who don't believe in limiting
one's taste to one particular musical style or direction. All
these people are always welcome in the WRC, as long as they express
mutual respect towards each other's work.
How is the WRC different from already established schools of criticism?
Normally, the WRC stands in opposition to that
branch of rock criticism which roots itself in professional musical
magazines, such as Rolling Stone and others. That does not mean
we do not respect the tastes, opinions, and musical philosophies
of the people writing for these magazines. As long as they are
given according to what they really feel about the music they
review (which, frankly speaking, is not always the case), we do.
What we oppose is the monopolistic authority of “official”
musical criticism, the very idea that critics writing for world-known
music magazines or speaking their minds on mega-budget channels
like MTV or VH1 are in some way "better authorized"
to write or speak about music than members of the WRC. If anything,
professional musical criticism is in much greater danger of falling
prey to trends, fashions, and the financial requirements of the
music industry than independent musical criticism. Honesty, independence,
freedom of opinion, and a general refusal to succumb to trends
and fads are the very nature of the WRC. Another thing is that
the WRC isn't concerned about chronology - the stuff that people
review doesn't have to be contemporary, it just has to be good
(or bad).
On the other hand, the WRC is not a true "elitist"
society. We do not despise music that is "accessible"
or “simple” - we may like some of it and dislike the
rest, but the WRC does not consider itself "superior"
to people who do not spend all their time trying to discover "underground"
gems. The WRC is all for expanding one's tastes, but not for condemning
them, whatever they might be. Yet expanding one's tastes does
not necessarily mean trying to "get" a complex musical
genre that you are not predisposed for. Thus, if you go for simple,
but well-written, pop music, the likes of which you cannot discover
through standard MTV-style propaganda, the WRC may help you find
"hidden" gems of exceptional quality which you'd never
be able to find on your own.
What are the benefits of being a member of the WRC?
The WRC is a very flexible group - apart from
the few basic principles stated above, there are no rules or regulations
involved. You do not "join" or "leave" the
WRC on any formal level - you're simply there or not there. You
get to meet interesting, diverse, intelligent, and knowledgeable
people from all over the world. You get to read reviews of stuff
that you might find yourself attracted to - including different
perspectives on the same things. You might discover music, and
not only music - we also discuss, and occasionally review, movies,
books, video games; you name it -that you never imagined could
even exist. You get to spend time on WRC
message boards such as Music
Babble, which never has a lazy day. You maybe get to do things
none of us have yet thought of doing!
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